Flayed Bassoon Solo - Sheet Music
Flayed is a composer's equivalent of a free improvisation on a few motives. While the overall structure of the piece is a tidy A-B-A form, the individual phrases are often irregular or elided and the motives are broken apart and pieced back together in a variety of ways. This gives the music--in particular the A sections--a tumultuous, ever-moving character. The title is a loose reference to the breaking apart of these motives. The motives themselves were designed to take advantage of the composer's favorite attributes of the bassoon. In the first A section the opening motive is a very high, intense melody that is later displayed in different registers and with varying accompaniments, and the primary motive is a quick staccato gesture with large leaps. Both motives take full advantage of the bassoon's impressive range. In contrast, the B section focuses on the bassoon's lyrical capabilities with a much longer melody that forgoes the bassoon's upper register in favor of its rich middle and lower register. When the A section returns so does the primary motive, this time even more relentless as it builds to the end of the piece.
Details
Summary
- Instrument:
- Piano Accompaniment Bassoon Solo
- Publishers:
- Imagine Music Publishing
- Format:
- Set of Parts Score and Parts
- Item types:
- Physical
- Instructionals:
- Composition
- Usages:
- School and Community
- Size:
- 9 x 12 in inches
- Shipping Weight:
- 0.73 pounds
Detailed Description
SKU: IG.BCMW152
Composed by Anna E. Garman. BCMCC (Bassoon Chamber Music Composition Competition). Score and Parts. Imagine Music Publishing #BCMW152. Published by Imagine Music Publishing (IG.BCMW152).9 x 12 in inches.
Flayed is a composer's equivalent of a free improvisation on a few motives. While the overall structure of the piece is a tidy A-B-A form, the individual phrases are often irregular or elided and the motives are broken apart and pieced back together in a variety of ways. This gives the music--in particular the A sections--a tumultuous, ever-moving character. The title is a loose reference to the breaking apart of these motives. The motives themselves were designed to take advantage of the composer's favorite attributes of the bassoon. In the first A section the opening motive is a very high, intense melody that is later displayed in different registers and with varying accompaniments, and the primary motive is a quick staccato gesture with large leaps. Both motives take full advantage of the bassoon's impressive range. In contrast, the B section focuses on the bassoon's lyrical capabilities with a much longer melody that forgoes the bassoon's upper register in favor of its rich middle and lower register. When the A section returns so does the primary motive, this time even more relentless as it builds to the end of the piece.
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- Publisher:
- Imagine Music Publishing