Five Pieces for Wind Instruments Large Ensemble - Digital Sheet Music

Five Pieces for Wind Instruments, Paul Burnell, composed 2002, revised 2011Approximate durations:1. 2:002. 4:003. 4:254. 2:405. 3:45Total duration 17:00It is not necessary to perform all 5 movements.Instrumentation:Flute (doubling Piccolo in the 1st and 5th movements)OboeClarinet in B flatAlto SaxophoneBass ClarinetBassoonTrumpet in B flatHorn in FTromboneTransposing instruments are shown transposed in the score.Sympathetic instrument doublings and/or substitutions are permissible.Unless otherwise indicated all cresc. and dim. hairpin marks move the dynamic up or down one grade.

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Summary
Format:
Score and Parts
Item types:
Digital
Level:
Intermediate
Usages:
School and Community
Number of Pages:
105
Detailed Description
Large Ensemble Alto Saxophone,Bass Clarinet,Bassoon,Flute,Horn,Oboe,Trombone,Trumpet - Level 3 - Digital Download

SKU: A0.835821

Composed by Paul Burnell. Contemporary. 105 pages. Paul Burnell #4836477. Published by Paul Burnell (A0.835821).

Five Pieces for Wind Instruments, Paul Burnell, composed 2002, revised 2011


Approximate durations:

1. 2:00
2. 4:00
3. 4:25
4. 2:40
5. 3:45

Total duration 17:00

It is not necessary to perform all 5 movements.


Instrumentation:

Flute (doubling Piccolo in the 1st and 5th movements)
Oboe
Clarinet in B flat
Alto Saxophone
Bass Clarinet
Bassoon
Trumpet in B flat
Horn in F
Trombone

Transposing instruments are shown transposed in the score.
Sympathetic instrument doublings and/or substitutions are permissible.
Unless otherwise indicated all cresc. and dim. hairpin marks move the dynamic up or down one grade.


Programme note:

Five Pieces for Wind Instruments was written for The Southwark Consorts of Winds - The Ancient and Modern Consort.

Each of the five movements subject familiar musical stereotypes to simple but rather strict processes.

The first movement is a march where the phrase lengths are gradually shortened. The second movement presents a simple melody imitated by other instruments. The middle movement, which is like a hinge in the overall structure, is a canon - where the imitation is between two groups. The fourth movement is a reverie with slight but systematic changes to the sustained harmony. The fifth movement is a jig or waltz where the phrase lengths are, unlike the first movement, gradually lengthened.

 

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