Details
Summary
- Instrument:
- Acoustic Guitar Classical Guitar Guitar Solo
- Genres:
- 20th Century
- Composers:
- William Walton
- Publishers:
- Oxford University Press
- UPC:
- 9780193594078
- ISBN:
- 9780193594074
- Format:
- Collection / Songbook
- Item types:
- Physical
- Level:
- Advanced
- Artist:
- William Walton
- Usages:
- School and Community
- Number of Pages:
- 16
- Size:
- 9x12 inches
- Shipping Weight:
- 0.24 pounds
Detailed Description
SKU: OU.9780193594074
Composed by William Walton. Edited by Julian Bream. Guitar/Plucked Instruments (Solo). 20th Century. Collection. 16 pages. Duration 13'. Oxford University Press #9780193594074. Published by Oxford University Press (OU.9780193594074).ISBN 9780193594074. UPC: 9780193594078. 9x12 inches.
Five Bagatelles were written for Julian Bream and dedicated to Malcolm Arnold 'with admiration and affection for his 50th birthday'. They were given their first performance in Bath on 27th May 1972.
Song List
I. Allegro
II. Lento
III. Alla Cubana
IV.
V. Con Slancia
Similar Sheet Music & Digital Downloads
- More by this Composer:
- William Walton William Walton Choir William Walton Organ Accompaniment William Walton Voice
- Instrument:
- Guitar Acoustic Guitar Guitar Classical Guitar Guitar Guitar Solo
- Artists:
- William Walton Julian Bream
- Publisher:
- Oxford University Press
Ratings + Reviews
5 Rating
2 reviews
Anonymous
Apr 30, 2018
A superb edition of this guitar miniature masterpiece. The mood changes from upbeat with to languid then sensuous, reflective to an exciting fifth ending.(In his first recording, Bream does make a repeated error in the 3rd Bagatelle so read the music carefully!)
Adrian
Aug 20, 2012
WALTON'S BAGATELLES ARE AS BEAUTIFUL TODAY AS THEY WERE WHEN FIRST PERFORMED BY JULIAN BREAM. THEY ARE NOT FOR THE AVERAGE PLAYER BEING PIECES THAT REQUIRE A VERY GOOD TECHNIQUE AND APPRECIATION. BREAM'S RECORDING OF THESE PIECES ON HIS VINYL 70'S RECORDING ARE TO THIS DAY BY FAR THE OUTSTANDING RENDITION. HIGHLY RECOMMENDED FOR ALL GUITAR ENTHUSIASTS WHO IF THEY CAN'T PLAY THEM CAN AT LEAST READ ALONG AS THEY LISTEN TO THE PIECES BEING PERFORMED.