Long Road Arranged for Concert Band by Eriks Esenvalds Concert Band - Sheet Music

By Eriks Esenvalds

Long Road is a setting of a love poem by Paulina Barda (widow of the eminent poet Fricis Barda), who died in 1983 at the age of ninety-three; set in the original Latvian, it was Ešenvalds' contribution to Love madrigals, a collection of new commissions to celebrate the twentieth anniversary of the remarkable youth choir Kamer . . . , and this English version was specially made for Stephen Layton and Polyphony, to whom it is dedicated. It has the plain sincerity of a hymn, being homophonic throughout, and its thorough-going diatonicism is straightforward yet lush. At the midway point, a gentle susurration of bell-sounds and ocarinas appears unexpectedly, there is a brief downwards shift of a third, followed by an elated return to the home key, decorated by soloistic descants, before sustained vocalise and a return of the evanescent tinkling ushers the piece to its close. (5:10) Original Item: EP68714-CMPST

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Details

Summary
Ensembles:
Concert Band
Genres:
Christian 21st Century
Composers:
Eriks Esenvalds
Publishers:
Edition Peters
ISBN:
9790300761770
Format:
Score Score and Parts
Item types:
Physical
Level:
Grade 4
Artist:
Eriks Esenvalds
Usages:
Hymn Anthems
Number of Pages:
166
Shipping Weight:
0.68 pounds
Detailed Description
Concert Band - Grade 4

SKU: PE.0300761775

Arranged for Concert Band. Composed by Eriks Esenvalds. Arranged by Phillip Littlemore. Concert Band. Edition Peters. Hymn; Living Composer. Score and Part(s). 166 pages. Edition Peters #98-0300761775. Published by Edition Peters (PE.0300761775).

ISBN 9790300761770.

Long Road is a setting of a love poem by Paulina Barda (widow of the eminent poet Fricis Barda), who died in 1983 at the age of ninety-three; set in the original Latvian, it was Ešenvalds' contribution to Love madrigals, a collection of new commissions to celebrate the twentieth anniversary of the remarkable youth choir Kamer . . . , and this English version was specially made for Stephen Layton and Polyphony, to whom it is dedicated. It has the plain sincerity of a hymn, being homophonic throughout, and its thorough-going diatonicism is straightforward yet lush. At the midway point, a gentle susurration of bell-sounds and ocarinas appears unexpectedly, there is a brief downwards shift of a third, followed by an elated return to the home key, decorated by soloistic descants, before sustained vocalise and a return of the evanescent tinkling ushers the piece to its close. (5:10) Original Item: EP68714-CMPST.

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