Dreissig Spielstuecke / Orgelsonate (Trio) op. 18, 1+2 Centennial Jubilee Edition by Hugo Distler Organ - Sheet Music

By Hugo Distler

Hugo Distler studied organ with Günther Ramin and composition with Hermann Grabner in Leipzig .He then worked as cantor and organist at St. Jacobi in Lübeck and taught composition and organ at the Stuttgart Musikhochschule from 1937 onwards.In 1940 he took up the same position at the Berlin Musikhochschule and also became director of the Berlin Cathedral Choir in 1941.Considerably influenced by the Lübeck Stellwagen organ at St. Jacobi, he championed the characteristic pre-Baroque and Baroque sound of the organ and the forms which best suited it. His stylistic preference was for a specifically neo-Baroque, functional-objective type of sound.This critical edition with previously unpublished works includes the forewords of the first editions, facsimiles, a critical commentary for each volume as well as a list of sources.

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Details

Summary
Instrument:
Organ Organ Solo
Genres:
20th Century
Composers:
Hugo Distler
Publishers:
Baerenreiter Verlag
Series:
ABRSM: Organ (2011 onwards) Barenreiter Urtext
ISBN:
9790006534463
Format:
Performance Score
Item types:
Physical
Level:
Beginning
Musical forms:
Sonata
Series levels:
Grade 1
Artist:
Hugo Distler
Usages:
School and Community
Size:
9.45 x 12.01 inches
Shipping Weight:
1.05 pounds
Detailed Description
Organ - UK Grade 1

SKU: BA.BA09233

Band III. Centennial Jubilee Edition. Composed by Hugo Distler. Edited by Armin Schoof. This edition: urtext edition. Paperback. Hugo Distler. New Edition of the Complete Organ Works III | BARENREITER URTEXT. Edition for Distler's 100th anniversary. Performance score. Opus 18, 1. Baerenreiter Verlag #BA09233. Published by Baerenreiter Verlag (BA.BA09233).

ISBN 9790006534463. 9.45 x 12.01 inches.

Hugo Distler studied organ with Günther Ramin and composition with Hermann Grabner in Leipzig .

He then worked as cantor and organist at St. Jacobi in Lübeck and taught composition and organ at the Stuttgart Musikhochschule from 1937 onwards.

In 1940 he took up the same position at the Berlin Musikhochschule and also became director of the Berlin Cathedral Choir in 1941.

Considerably influenced by the Lübeck Stellwagen organ at St. Jacobi, he championed the characteristic pre-Baroque and Baroque sound of the organ and the forms which best suited it. His stylistic preference was for a specifically neo-Baroque, functional-objective type of sound.

This critical edition with previously unpublished works includes the forewords of the first editions, facsimiles, a critical commentary for each volume as well as a list of sources.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?

MUSICOLOGICALLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

 

Song List
  • Preface

  • Hugo Distler and his Organ Works

  • Distler's Organ Style

  • The Stuttgart Organ Works op. 18, nos. 1 and 2

  • Specification of the House Organ

  • Photographs

  • Facsimiles

  • Thirty Pieces for Small Organ or other Keyboard Instruments op. 18, no. 1

  • Nr. 1-4

  • Nr. 5-11

  • Nr. 12-17: Variations Fisch auf, gut Gsell, lass rummer gahn

  • Nr. 18-24: Variations Elselein, liebstes Elselein

  • Nr. 25-30: Variations Wo Gott zu Haus nit givt sein Gunst

  • Epilogue of the First Edition

  • The Editor's Comment on the Epiloguue of the First Edition

  • Organ Sonata (Trio), op. 18, no. 2

  • Performance Instructions of the First Edition

  • I. Quick, energetic half notes

  • II. Introduction

  • III. Rather fast eighth notes

  • Critical Report

  • I. Abbreviations

  • II. Editorial Policies

  • III. Sources

  • IV. Detailed references

  • Glossary (the composer's performance instructions)

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