• Do justice to all men by Johann Sebastian Bach 4-Part - Sheet Music

Do justice to all men Cantata for the 23rd Sunday after Trinity by Johann Sebastian Bach 4-Part - Sheet Music

By Johann Sebastian Bach

The cantata "Nur jedem das Seine" (Do justice to all men) BWV 163, for the last Sunday of the Church Year 1714/15, belongs among to those chamber music works which Bach composed for the Weimar Schlosskirche. The instruments are limited to strings, although two obbligato violoncellos are included which together with the solo bass singer and the continuo form a "bass" quartet unique in Bach's works. The final chorale of the cantata is handed down only as a fragment and was newly reconstructed for our edition by Thomas Riegler. Score and parts available separately - see item CA.3116300

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Details

Summary
Instrument:
Choir Voice Basso Continuo
Ensembles:
4-Part SATB Mixed Choir
Genres:
Christian Baroque Period
Composers:
Johann Sebastian Bach
Publishers:
Carus Verlag
Series:
Stuttgart Urtext Edition
ISBN:
9790007141219
Format:
Set of Parts
Item types:
Physical
Musical forms:
Cantata
Artist:
Johann Sebastian Bach
Arrangers:
Thomas Riegler
Usages:
Sacred
Size:
9 x 12 inches
Shipping Weight:
1 pounds
Detailed Description
Soli SATB, SATB Choir, 2 Violins, Viola, 2 Cello obligato, Basso continuo (Soli SATB, Coro SATB, 2 Vl, Va, 2 Vc obl, Bc)

SKU: CA.3116319

Cantata for the 23rd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Arranged by Thomas Riegler. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Complete orchestral parts. Sacred vocal music, End of the church year. Set of parts. Composed 1715. BWV 163. Duration 18 minutes. Carus Verlag #CV 31.163/19. Published by Carus Verlag (CA.3116319).

ISBN 9790007141219. 9 x 12 inches. Language: German/English. Text: Salomo Franck.

The cantata "Nur jedem das Seine" (Do justice to all men) BWV 163, for the last Sunday of the Church Year 1714/15, belongs among to those chamber music works which Bach composed for the Weimar Schlosskirche. The instruments are limited to strings, although two obbligato violoncellos are included which together with the solo bass singer and the continuo form a "bass" quartet unique in Bach's works. The final chorale of the cantata is handed down only as a fragment and was newly reconstructed for our edition by Thomas Riegler. Score and parts available separately - see item CA.3116300.

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