• Death and Transfiguration Op. 24 TrV 158 by Richard Strauss Orchestra - Sheet Music
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Death and Transfiguration Op. 24 TrV 158 Tone Poem for Large Orchestra – Urtext by Richard Strauss Orchestra - Sheet Music

By Richard Strauss

Farewell Tod und Verklarung marks a turning point in Richard Strauss's corpus of tone poems: Even before the November 1889 premiere of his previous work Don Juan, Strauss had finished his third work in this genre. He leads the listener with great clarity through the dying hour of a person who had pursued the highest ideals. The present Urtext edition evaluates for the first time all the corrections that Strauss made in the galley proofs of the work's full score and parts, correlating these to the music text. The preface provides insight into the genesis and reception history, while the detailed Critical Report systematically documents all of the editorial decisions.

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Details

Summary
Instrument:
Clarinet
Ensembles:
Orchestra
Genres:
Romantic Period 20th Century
Composers:
Richard Strauss
Publishers:
Breitkopf and Haertel
Series:
Breitkopf Orchestral Library
ISBN:
9790004348420
Format:
Part
Item types:
Physical
Artist:
Richard Strauss
Usages:
Transfiguration Funeral
Size:
10 x 12.5 inches
Number of Pages:
8
Shipping Weight:
0.83 pounds
Detailed Description
Violin (3.2.Eh.2.B-clar.2.dble bsn – 4.3.3.1 – timp – tamt – 2hp – str)

SKU: BR.OB-5654-15

Tone Poem for Large Orchestra – Urtext. Composed by Richard Strauss. Edited by Nick Pfefferkorn. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). Late-romantic. Part. 8 pages. Duration 24'. Breitkopf and Haertel #OB 5654-15. Published by Breitkopf and Haertel (BR.OB-5654-15).

ISBN 9790004348420. 10 x 12.5 inches.

Farewell Tod und Verklarung marks a turning point in Richard Strauss's corpus of tone poems: Even before the November 1889 premiere of his previous work Don Juan, Strauss had finished his third work in this genre. He leads the listener with great clarity through the dying hour of a person who had pursued the highest ideals. The present Urtext edition evaluates for the first time all the corrections that Strauss made in the galley proofs of the work's full score and parts, correlating these to the music text. The preface provides insight into the genesis and reception history, while the detailed Critical Report systematically documents all of the editorial decisions.

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