5528782
De Profundis
5528782
5528782
5528782
Copyright Material for Preview Only - Sheet Music Plus
Choral Bass 1, Bass 2, Organ, Percussion, tenor 1, tenor 2
SKU: PR.UE032974
Chorpartitur. Composed by Arvo Part. Bible, Psalm 130 (129). World Premiere: in Martinskirche Kassel / Germany by the Vokalensemble Kassel conducted by Klaus Martin Ziegler. Part. With Standard notation. Composed 1980. Duration 0:07:00. Universal Edition #UE032974. Published by Universal Edition (PR.UE032974).
ISBN 9783702427481. UPC: 803452022893. Bible, psalm 130 (129).
De Profundis was the first new composition written after Part's emigration, and belongs more with the Estonian tintinnabuli works, with their unwavering adherence to a simple unfolding of material in basic tintinnabuli manner, than to the relatively more intricate manner of the later Latin works. It is scored for male voices (TTBB), organ, and percussion (bass drum, E bell, and tam- tam) - the percussion is marked 'ad lib,' though much would be lost by its omission. The organ provides a relentless walking bass beneath alternate phrases, while the voices declaim the text in steady minim beats throughout. (Paul Hillier).
Choral Bass 1, Bass 2, Organ, Percussion, tenor 1, tenor 2
SKU: PR.UE032974
Chorpartitur. Composed by Arvo Part. Bible, Psalm 130 (129). World Premiere: in Martinskirche Kassel / Germany by the Vokalensemble Kassel conducted by Klaus Martin Ziegler. Part. With Standard notation. Composed 1980. Duration 0:07:00. Universal Edition #UE032974. Published by Universal Edition (PR.UE032974).
ISBN 9783702427481. UPC: 803452022893. Bible, psalm 130 (129).
De Profundis was the first new composition written after Part's emigration, and belongs more with the Estonian tintinnabuli works, with their unwavering adherence to a simple unfolding of material in basic tintinnabuli manner, than to the relatively more intricate manner of the later Latin works. It is scored for male voices (TTBB), organ, and percussion (bass drum, E bell, and tam- tam) - the percussion is marked 'ad lib,' though much would be lost by its omission. The organ provides a relentless walking bass beneath alternate phrases, while the voices declaim the text in steady minim beats throughout. (Paul Hillier).
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