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Composed by Luise Greger. Edited by 1862-1944. Score. Furore Verlag #FUE 15089. Published by Furore Verlag (FV.FUE-15089).
ISBN ISMN 979-0-50182-889-0.
Luise Greger had a wide range of compositional techniques at her disposal. Her mastery of the singing voice as well as of piano accompaniment explains the balance between the two parts. The piano is independent, illustrative and responsible for the emotional content. The development of the many nuances found in what may first seem a simple vocal melody requires a versatile interpretation - a demanding assignment in itself.
CONTENT Contents: Inhalt: Das Meer op. 81 (Carl Woermann), Erhebung op. 23 (Else Sumpf), Elfentanz op. 94 (Baron Curt Trutzschler von Falkenstein), Am Kamin op. 22 (Hedwig Braun-Steinmann), Die Wolke senkt sich nieder op. 25 (Alexander Petofi), Wenn ich einst zum letzten Male (O. L. Brandt), Das rechte Wort op. 40 (Johann Severus), Heiliges Leid op. 95 (Friedrich Langer).
Composed by Luise Greger. Edited by 1862-1944. Score. Furore Verlag #FUE 15089. Published by Furore Verlag (FV.FUE-15089).
ISBN ISMN 979-0-50182-889-0.
Luise Greger had a wide range of compositional techniques at her disposal. Her mastery of the singing voice as well as of piano accompaniment explains the balance between the two parts. The piano is independent, illustrative and responsible for the emotional content. The development of the many nuances found in what may first seem a simple vocal melody requires a versatile interpretation - a demanding assignment in itself.
CONTENT Contents: Inhalt: Das Meer op. 81 (Carl Woermann), Erhebung op. 23 (Else Sumpf), Elfentanz op. 94 (Baron Curt Trutzschler von Falkenstein), Am Kamin op. 22 (Hedwig Braun-Steinmann), Die Wolke senkt sich nieder op. 25 (Alexander Petofi), Wenn ich einst zum letzten Male (O. L. Brandt), Das rechte Wort op. 40 (Johann Severus), Heiliges Leid op. 95 (Friedrich Langer).
Preview: Das Meer (The Sea): Songs for voice and piano
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