Conga-Line in Hell Orchestra - Sheet Music
Conga-Line in Hell began in my imagination as the visual image of an endless line of dead people dancing through the fire of hell. I gradually started hearing the music, and Dante's Paolo and Francesca da Rimini story soon became part of the scene. This inferno is humorous, sarcastic, grotesque and at times also terrifying. I rely mainly on the dramatic and expressive qualities of rhythm to convey the evil forces that govern my imaginary hell. As thematic material I primarily use rhythmic claves (Spanish for clef or key) as they are used in Latin American music: a sort of 'rhythmic tonality' to which harmony and melody must conform. The rhythmic pattern of the conga dance beats throughout the piece and is at times distorted into a 13/16 pattern. It employs unusual percussion, unusual rhythmic structures and instruments are often playing at their most extreme registers. The piano is used 'obbligato' as a sort of metronome, very much like the harpsichord of the old Baroque times. -- Miguel del Aguila
Details
Summary
- Instrument:
- Cello B-Flat Clarinet Double Bass Flute B-Flat Trumpet
- Ensembles:
- Orchestra
- Publishers:
- Peermusic Classical
- UPC:
- 680160598793
Detailed Description
SKU: PR.624398510
Composed by Miguel Aguila. This edition: saddle-wire stitch. Sws. Score. Peermusic Classical #62439-851. Published by Peermusic Classical (PR.624398510).UPC: 680160598793.
Conga-Line in Hell began in my imagination as the visual image of an endless line of dead people dancing through the fire of hell. I gradually started hearing the music, and Dante's Paolo and Francesca da Rimini story soon became part of the scene. This inferno is humorous, sarcastic, grotesque and at times also terrifying. I rely mainly on the dramatic and expressive qualities of rhythm to convey the evil forces that govern my imaginary hell. As thematic material I primarily use rhythmic claves (Spanish for clef or key) as they are used in Latin American music: a sort of 'rhythmic tonality' to which harmony and melody must conform. The rhythmic pattern of the conga dance beats throughout the piece and is at times distorted into a 13/16 pattern. It employs unusual percussion, unusual rhythmic structures and instruments are often playing at their most extreme registers. The piano is used 'obbligato' as a sort of metronome, very much like the harpsichord of the old Baroque times. -- Miguel del Aguila.
Similar Sheet Music & Digital Downloads
- Instrument:
- Strings Cello Woodwinds Clarinet B-Flat Clarinet Strings Double Bass Woodwinds Flute Brass Trumpet B-Flat Trumpet
- Ensemble:
- Orchestra
- Publisher:
- Peermusic Classical