• Conga-Line in Hell Orchestra - Sheet Music
  • Conga-Line in Hell Orchestra - Sheet Music

Conga-Line in Hell Orchestra - Sheet Music

Conga-Line in Hell began in my imagination as the visual image of an endless line of dead people dancing through the fire of hell. I gradually started hearing the music, and Dante's Paolo and Francesca da Rimini story soon became part of the scene. This inferno is humorous, sarcastic, grotesque and at times also terrifying. I rely mainly on the dramatic and expressive qualities of rhythm to convey the evil forces that govern my imaginary hell. As thematic material I primarily use rhythmic claves (Spanish for clef or key) as they are used in Latin American music: a sort of 'rhythmic tonality' to which harmony and melody must conform. The rhythmic pattern of the conga dance beats throughout the piece and is at times distorted into a 13/16 pattern. It employs unusual percussion, unusual rhythmic structures and instruments are often playing at their most extreme registers. The piano is used 'obbligato' as a sort of metronome, very much like the harpsichord of the old Baroque times. -- Miguel del Aguila

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Details

Summary
Instrument:
Cello B-Flat Clarinet Double Bass Flute B-Flat Trumpet
Ensembles:
Orchestra
Publishers:
Peermusic Classical
UPC:
680160598793
Format:
Score
Item types:
Physical
Usages:
School and Community
Shipping Weight:
0.75 pounds
Detailed Description
Orchestra Bassoon, Cello, Clarinet in Bb, Double Bass, Flute, Horn, Oboe, Percussion, Trombone, Trumpet in Bb, Viola, Violin 1, Violin 2

SKU: PR.624398510

Composed by Miguel Aguila. This edition: saddle-wire stitch. Sws. Score. Peermusic Classical #62439-851. Published by Peermusic Classical (PR.624398510).

UPC: 680160598793.

Conga-Line in Hell began in my imagination as the visual image of an endless line of dead people dancing through the fire of hell. I gradually started hearing the music, and Dante's Paolo and Francesca da Rimini story soon became part of the scene. This inferno is humorous, sarcastic, grotesque and at times also terrifying. I rely mainly on the dramatic and expressive qualities of rhythm to convey the evil forces that govern my imaginary hell. As thematic material I primarily use rhythmic claves (Spanish for clef or key) as they are used in Latin American music: a sort of 'rhythmic tonality' to which harmony and melody must conform. The rhythmic pattern of the conga dance beats throughout the piece and is at times distorted into a 13/16 pattern. It employs unusual percussion, unusual rhythmic structures and instruments are often playing at their most extreme registers. The piano is used 'obbligato' as a sort of metronome, very much like the harpsichord of the old Baroque times. -- Miguel del Aguila.

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