• Concerto Re maggiore Flute Solo - Sheet Music
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Concerto Re maggiore Flute Solo - Sheet Music

Johann Anton Fils (1733–1760) is one of the founders of the new orchestral and concerto style of the Mannheim School. Fils’ compositions combine the stylistic devices of Central European folk music of the Czech-German region with elements of early Italian Classicism influenced by French Rococo, which was popular especially in Mannheim. Fils’ flute concerto is an important item in the core repertoire of flute soloist literature. The orchestra comprises strings, supplemented by a pair of French horns in the first and last movement. The three movements of the work fully integrate the structural, dynamic and expressional innovations of the Mannheim School. The source text used for this Musica Antiqua Bohemica edition of the concerto is a copy of the work from 1817. Further details are included in the Editor’s Notes by Hynek Kaslík and the Preface by Olga Zuckerová.

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Details

Summary
Instrument:
Piano Flute Solo
Genres:
Classical
Publishers:
Editio Baerenreiter Praha
ISBN:
9790006571253
Format:
Reduction
Item types:
Physical
Musical forms:
Concerto
Usages:
School and Community
Main Key:
D Major
Number of Pages:
32
Size:
12.2 x 9.25 inches
Shipping Weight:
0.55 pounds
Detailed Description
Solo flute, orchestra

SKU: PA.H00053

Composed by Anton Fils. Musica Antiqua Bohemica 18. Czech title: Concerto Re maggiore. Classical. Piano reduction, Part. With Publication language: Czech. 32/10 pages. Editio Baerenreiter Praha #H00053. Published by Editio Baerenreiter Praha (PA.H00053).

ISBN 9790006571253. 12.2 x 9.25 inches. Key: D major.

Johann Anton Fils (1733–1760) is one of the founders of the new orchestral and concerto style of the Mannheim School. Fils’ compositions combine the stylistic devices of Central European folk music of the Czech-German region with elements of early Italian Classicism influenced by French Rococo, which was popular especially in Mannheim. Fils’ flute concerto is an important item in the core repertoire of flute soloist literature. The orchestra comprises strings, supplemented by a pair of French horns in the first and last movement. The three movements of the work fully integrate the structural, dynamic and expressional innovations of the Mannheim School. The source text used for this Musica Antiqua Bohemica edition of the concerto is a copy of the work from 1817. Further details are included in the Editor’s Notes by Hynek Kaslík and the Preface by Olga Zuckerová.

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