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By Paul Mann. Composed by Jon Lord. Score Only. Composed 2016. 243 pages. De Haske Publications #DHP 1135518-180. Published by De Haske Publications (BT.DHP-1135518-180).
English.
Full Score and Study Score of this work are available for sale. A set of individual parts are for rental only, not for sale. Prices and conditions are available on request. Please contact: Hal Leonard Europe BV -Rentaldepartment E-Mail: rental@halleonardeurope.nl
The 28-year-old Jon Lord, with no experience at all of writing for orchestra, composed this work in only threemonths in the lead-up to its premierewith the Royal Philharmonic Orchestra and Malcolm Arnold. It was his first work for orchestra, launching his career as both a classical composer and a founding member of Deep Purple. It isnotably rich in youthful invention, sound in structure, andsophisticated in craftsmanship. It broke new ground at the time, and seems only to have grown in stature across the intervening years. The full score appears here in printfor the first time ever, meticulously edited by the composer’s long-timemusical collaborator Paul Mann.
Partitur und Klavierauszug des Concertos können käuflich erworben werden. Das Einzelstimmen-Set ist ausschließlich Leihmaterial. Auskunft über Leih-Bedingungen und Preise erhalten Sie auf Nachfrage. Bittekontaktieren Sie: HalLeonard Europe BV - Rental department E-Mail: rental@halleonardeurope.nl
Der 28 Jahre alte Jon Lord, der bis dahin keine Erfahrung im Bereichder Orchesterkomposition hatte, brauchte für dieses Werk nur drei Monate, bis es mit dem Royal Philharmonic Orchestra unter der Leitung von Malcolm Arnold uraufgeführt wurde. Seinerstes Werk für Orchester ist der Beginn seinerparallelen Karriere als Komponist und Gründungsmitglied der Rockband Deep Purple. Das Stück zeichnet sich durch jugendlichen Einfallsreichtum, einen strukturierten Klang sowie ein ausgeklügeltes Könnenaus. Es galt damals alsbahnbrechend und seine Bedeutung scheint in der Zwischenzeit weiter gestiegen zu sein. Die Partitur erscheint hier zum allerersten Mal im Druck und wurde bis ins kleinste Detail von Paul Mann, einem langjährigenmusikalischenFreund des Komponisten, herausgegeben.
By Paul Mann. Composed by Jon Lord. Score Only. Composed 2016. 243 pages. De Haske Publications #DHP 1135518-180. Published by De Haske Publications (BT.DHP-1135518-180).
English.
Full Score and Study Score of this work are available for sale. A set of individual parts are for rental only, not for sale. Prices and conditions are available on request. Please contact: Hal Leonard Europe BV -Rentaldepartment E-Mail: rental@halleonardeurope.nl
The 28-year-old Jon Lord, with no experience at all of writing for orchestra, composed this work in only threemonths in the lead-up to its premierewith the Royal Philharmonic Orchestra and Malcolm Arnold. It was his first work for orchestra, launching his career as both a classical composer and a founding member of Deep Purple. It isnotably rich in youthful invention, sound in structure, andsophisticated in craftsmanship. It broke new ground at the time, and seems only to have grown in stature across the intervening years. The full score appears here in printfor the first time ever, meticulously edited by the composer’s long-timemusical collaborator Paul Mann.
Partitur und Klavierauszug des Concertos können käuflich erworben werden. Das Einzelstimmen-Set ist ausschließlich Leihmaterial. Auskunft über Leih-Bedingungen und Preise erhalten Sie auf Nachfrage. Bittekontaktieren Sie: HalLeonard Europe BV - Rental department E-Mail: rental@halleonardeurope.nl
Der 28 Jahre alte Jon Lord, der bis dahin keine Erfahrung im Bereichder Orchesterkomposition hatte, brauchte für dieses Werk nur drei Monate, bis es mit dem Royal Philharmonic Orchestra unter der Leitung von Malcolm Arnold uraufgeführt wurde. Seinerstes Werk für Orchester ist der Beginn seinerparallelen Karriere als Komponist und Gründungsmitglied der Rockband Deep Purple. Das Stück zeichnet sich durch jugendlichen Einfallsreichtum, einen strukturierten Klang sowie ein ausgeklügeltes Könnenaus. Es galt damals alsbahnbrechend und seine Bedeutung scheint in der Zwischenzeit weiter gestiegen zu sein. Die Partitur erscheint hier zum allerersten Mal im Druck und wurde bis ins kleinste Detail von Paul Mann, einem langjährigenmusikalischenFreund des Komponisten, herausgegeben.
Preview: Concerto for Group and Orchestra
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