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Violin and Orchestra, Piano Reduction. Composed by Robert Schumann. Edited by Georg Schuenemann. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Piano Reduction with Solo Part. Composed 1853. 56 pages. Duration 27'. Schott Music #ED2588. Published by Schott Music (HL.49003842).
ISBN 9790001038478. UPC: 073999469738. 9.0x12.0x0.185 inches.
'You were often on my mind when I was writing', wrote Robert Schumann to Joseph Joachim who had encouraged him to write this concerto. In view of Schumann's illness, however, Joachim began to have his doubts about the value of the work. In his will, Joachim prohibited the first performance until the 100th anniversary of Schumann's death in 1956. After detailed editorial work, the premiere was brought forward to 1937.The theme of the middle movement probably formed the basis of Schumann's Geistervariationen ('Ghost Variations'), the character of the third movement is that of a grand polonaise. Yehudi Menuhin who performed the world premiere of the unedited version of Schumann's solo part saw in this piece 'the bridge between Beethoven's and Brahms' concertos'.
Violin and Orchestra, Piano Reduction. Composed by Robert Schumann. Edited by Georg Schuenemann. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Piano Reduction with Solo Part. Composed 1853. 56 pages. Duration 27'. Schott Music #ED2588. Published by Schott Music (HL.49003842).
ISBN 9790001038478. UPC: 073999469738. 9.0x12.0x0.185 inches.
'You were often on my mind when I was writing', wrote Robert Schumann to Joseph Joachim who had encouraged him to write this concerto. In view of Schumann's illness, however, Joachim began to have his doubts about the value of the work. In his will, Joachim prohibited the first performance until the 100th anniversary of Schumann's death in 1956. After detailed editorial work, the premiere was brought forward to 1937.The theme of the middle movement probably formed the basis of Schumann's Geistervariationen ('Ghost Variations'), the character of the third movement is that of a grand polonaise. Yehudi Menuhin who performed the world premiere of the unedited version of Schumann's solo part saw in this piece 'the bridge between Beethoven's and Brahms' concertos'.
Preview: Concerto D Minor RV 540 / PV 266
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