• Chanson De Nuit – Chanson De Matin Op. 15 by Edward Elgar Piano Accompaniment - Sheet Music

Chanson De Nuit – Chanson De Matin Op. 15 Cello and Piano by Edward Elgar Piano Accompaniment - Sheet Music

By Edward Elgar

Like Elgar's Salut d'amour, the two “chansons” are amongst his most popular melodies. The dreamy “Chanson de nuit” and its cheerful counterpart “Chanson de matin” are often performed together. Composer and publisher already sensed that this “evergreen” would build on the success of Elgar's Salut d'amour, and they similarly planned arrangements of this pair of works for various instruments. Not all of them came from Elgar's own pen, although the cello arrangement probably does, for he himself wrote to the publisher “A cello arrangement should be useful: I have written it where necessary in the tenor clef: I understand that amateurs of small attainments prefer the treble clef”. He was thus consciously aiming his arrangement at amateurs, something that should not prevent advanced and professional cellists from revelling in these charming melodies in Henle's Urtext edition.

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Details

Summary
Instrument:
Piano Accompaniment Cello Solo
Genres:
Romantic Period 20th Century
Composers:
Edward Elgar
Publishers:
G. Henle
Series:
Henle Urtext
UPC:
196288116684
Format:
Reduction Collection / Songbook
Item types:
Physical
Artist:
Edward Elgar
Usages:
School and Community
Size:
9.25x12.25x0.095 inches
Number of Pages:
24
Shipping Weight:
0.39 pounds
Detailed Description
Cello & Piano Cello; Piano Accompaniment (Cello Part And Piano Score)

SKU: HL.51481478

Cello and Piano. Composed by Edward Elgar. Edited by Rupert Marshall-Luck. Henle Music Folios. Classical. Softcover. 24 pages. G. Henle #HN1478. Published by G. Henle (HL.51481478).

UPC: 196288116684. 9.25x12.25x0.095 inches.

Like Elgar's Salut d'amour, the two “chansons” are amongst his most popular melodies. The dreamy “Chanson de nuit” and its cheerful counterpart “Chanson de matin” are often performed together. Composer and publisher already sensed that this “evergreen” would build on the success of Elgar's Salut d'amour, and they similarly planned arrangements of this pair of works for various instruments. Not all of them came from Elgar's own pen, although the cello arrangement probably does, for he himself wrote to the publisher “A cello arrangement should be useful: I have written it where necessary in the tenor clef: I understand that amateurs of small attainments prefer the treble clef”. He was thus consciously aiming his arrangement at amateurs, something that should not prevent advanced and professional cellists from revelling in these charming melodies in Henle's Urtext edition.

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