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Carson Cooman: Goggles (1999-2001) for saxophone and piano
20421123
20421123

Carson Cooman: Goggles (1999-2001) for saxophone and piano by Carson Cooman Alto Saxophone - Digital Sheet Music

By Carson Cooman
Carson Cooman: Goggles (1999-2001) for saxophone and piano Alto Saxophone scores gallery preview page 1
Carson Cooman: Goggles (1999-2001) for saxophone and piano Alto Saxophone scores gallery preview page 2
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Carson Cooman: Goggles (1999-2001) for saxophone and piano Alto Saxophone scores gallery preview page 5
Carson Cooman: Goggles (1999-2001) for saxophone and piano Alto Saxophone scores gallery preview page 6
Carson Cooman: Goggles (1999-2001) for saxophone and piano by Carson Cooman Alto Saxophone - Digital Sheet Music
Carson Cooman: Goggles (1999-2001) for saxophone and piano by Carson Cooman Alto Saxophone - Digital Sheet Music page 2
Carson Cooman: Goggles (1999-2001) for saxophone and piano by Carson Cooman Alto Saxophone - Digital Sheet Music page 3
Carson Cooman: Goggles (1999-2001) for saxophone and piano by Carson Cooman Alto Saxophone - Digital Sheet Music page 4
Carson Cooman: Goggles (1999-2001) for saxophone and piano by Carson Cooman Alto Saxophone - Digital Sheet Music page 5
Carson Cooman: Goggles (1999-2001) for saxophone and piano by Carson Cooman Alto Saxophone - Digital Sheet Music page 6
Alto Saxophone,Piano - Level 4 - Digital Download

SKU: A0.533579

Composed by Carson Cooman. Concert,Contemporary,Standards. Score and part. 11 pages. Musik Fabrik Music Publishing #3028549. Published by Musik Fabrik Music Publishing (A0.533579).

Goggles (1999-2001) for saxophone and piano is dedicated to saxophonist Yoshiro Fujita. It
is a short "concert romp" -- with piano and saxophone locked in a pounding drive forwards
throughout.
The material is based on the saxophone's opening melodic gesture, presented (after the
introduction), over a pounding ostinato in the piano which runs throughout the piece. Sudden
changes of dynamics and material occur throughout until finally a sudden change of tonality
occurs at the very end of the work.
PERFORMANCE NOTES: This piece is ideally suited as an encore piece after a recital
program. If this is the case, it is suggested that, if possible, the saxophonist and pianist put on
pairs of goggles (swimming or aviation-style are best) from out of their pockets before
playing the work. (It is also possible to do this even if the work is not played as an encore.)

This product was created by a member of ArrangeMe, Hal Leonard’s global self-publishing community of independent composers, arrangers, and songwriters. ArrangeMe allows for the publication of unique arrangements of both popular titles and original compositions from a wide variety of voices and backgrounds.

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