Bach-Gounod: Ave Maria for Piano Quintet by James M. Guthrie Piano Quintet - Digital Sheet Music

By James M. Guthrie

There are two popular versions of the Bach-Gounod Ave Maria to consider. Firstly, we have the version that exactly follows the harmonic scheme set forth by J. S. Bach in his Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Secondly, we have the arrangement introduced by the Choirmaster Christian Friedrich Gottlieb Schwencke in 1783 that introduces a controversial added measure designed to intensify the harmony in measure 27. Both versions employ the melody that Charles Gounod provided as an overlay to the Bach harmony. In either case, the convenient 1st & 2nd endings provide options for extended performance. The duration with the repeat runs about 4:50. This arrangement features the controversial "Schwencke measure" (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke.

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Details

Summary
Instrument:
Piano Method Piano Solo
Ensembles:
Piano Quintet
Genres:
Baroque Period Standards Wedding
Publishers:
jmsgu3
Series:
ArrangeMe
Format:
Score and Parts
Item types:
Digital
Instructionals:
Methods and More
Level:
Intermediate
Artist:
James M. Guthrie
Arrangers:
James M. Guthrie
Usages:
Blessed Virgin Mary
Number of Pages:
18
Detailed Description
Piano Quintet Piano - Level 3 - Digital Download

SKU: A0.552076

Composed by Bach-Gounod. Arranged by James M. Guthrie. Baroque,Instructional,Standards,Wedding. 18 pages. Jmsgu3 #6113189. Published by jmsgu3 (A0.552076).

There are two popular versions of the Bach-Gounod Ave Maria to consider. Firstly, we have the version that exactly follows the harmonic scheme set forth by J. S. Bach in his Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Secondly, we have the arrangement introduced by the Choirmaster Christian Friedrich Gottlieb Schwencke in 1783 that introduces a controversial added measure designed to intensify the harmony in measure 27. Both versions employ the melody that Charles Gounod provided as an overlay to the Bach harmony. In either case, the convenient 1st & 2nd endings provide options for extended performance. The duration with the repeat runs about 4:50.

This arrangement features the controversial "Schwencke measure" (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke.

About ArrangeMe

This product was created by a member of ArrangeMe, Hal Leonard's self-publishing community for independent composers, arrangers, and songwriters. Discover unique arrangements of popular titles and original compositions from diverse creators. The length, difficulty, and pricing are determined by the arranger or composer.

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