4481072
As Like A Raging Fire
4481072
4481072
4481072
Copyright Material for Preview Only - Sheet Music Plus
Chamber Music flute, clarinet, violin, cello, piano
SKU: PR.114411640
For Flute, Clarinet, violin, Cello, and Piano. Composed by Chen Yi. This edition: saddle-wire stitch. Sws. Contemporary. Score and parts. With Standard notation. Composed 2002. 59 pages. Duration 0:10:00. Theodore Presser Company #114-41164. Published by Theodore Presser Company (PR.114411640).
UPC: 680160016891. 8.5 x 11 inches.
Commissioned and premiered by the Network for New Music on Feb. 24, 2002 in Philadelphia, conducted by Jennifer Higdon, ...as like a raging fire... is composed for flute clarinet, violin, cello and piano, with a commissioning grant from Meet the Composer's commissioning USA program. In the music, I've expressed my impression of a raging fire, which is external but also internal, it's in the nature but also in the spirit. --Chen Yi a departure for the composer from her typical joyful music...explosive energy and even some anger... Contrasting this was piano turned artillery, lobbing 'shots' of struck chords over the bow of the audience. --Andrew Druckenbrod, Pittsburgh Post-Gazette.
Chamber Music flute, clarinet, violin, cello, piano
SKU: PR.114411640
For Flute, Clarinet, violin, Cello, and Piano. Composed by Chen Yi. This edition: saddle-wire stitch. Sws. Contemporary. Score and parts. With Standard notation. Composed 2002. 59 pages. Duration 0:10:00. Theodore Presser Company #114-41164. Published by Theodore Presser Company (PR.114411640).
UPC: 680160016891. 8.5 x 11 inches.
Commissioned and premiered by the Network for New Music on Feb. 24, 2002 in Philadelphia, conducted by Jennifer Higdon, ...as like a raging fire... is composed for flute clarinet, violin, cello and piano, with a commissioning grant from Meet the Composer's commissioning USA program. In the music, I've expressed my impression of a raging fire, which is external but also internal, it's in the nature but also in the spirit. --Chen Yi a departure for the composer from her typical joyful music...explosive energy and even some anger... Contrasting this was piano turned artillery, lobbing 'shots' of struck chords over the bow of the audience. --Andrew Druckenbrod, Pittsburgh Post-Gazette.
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