O Come, Emmanuel - jazz flute and electric bass guitar Flute - Digital Sheet Music
This jazz composition is based on the hauntingly beautiful 15th century medieval tune that is commonly used for the Advent carol O Come, O Come, Emmanuel. I have reharmonized it with the accompaniment in a Key Signature a fifth above that of the melody. The accompaniment, part 2, has a broken two chord ostinato throughout written as a walking bass line. I have altered the melody, part 1, and moved much of it to the off beats. As in period early music, I allow occassional dissonances in order to keep the ostinato. This piece makes a wonderfully useful and unique addition to the season's repertoire. (I have also published a version on this site with text so it can be sung by a soloist or unison choir with piano accompaniment.) (Also as a piano solo.)range - part 1 melody - 10th, 3rd space C to high E; part 2 walking bass line, octave and a half, bass clef low A to D above middle C2 pages score, 1 page @ part, 2:05 minutes
Details
Summary
- Instrument:
- Flute Bass Guitar
- Genres:
- Early Music Renaissance Jazz Christmas Carols
- Publishers:
- Phil Beaman
- Series:
- ArrangeMe
- Format:
- Score and Parts
- Item types:
- Digital
- Level:
- Intermediate
- Usages:
- Advent School and Community
- Number of Pages:
- 4
Detailed Description
SKU: A0.1350497
Composed by Phil Beaman. Advent,Christmas,Early Music,Jazz,Renaissance. 4 pages. Phil Beaman #935308. Published by Phil Beaman (A0.1350497).This jazz composition is based on the hauntingly beautiful 15th century medieval tune that is commonly used for the Advent carol O Come, O Come, Emmanuel. I have reharmonized it with the accompaniment in a Key Signature a fifth above that of the melody. The accompaniment, part 2, has a broken two chord ostinato throughout written as a walking bass line. I have altered the melody, part 1, and moved much of it to the off beats. As in period early music, I allow occassional dissonances in order to keep the ostinato. This piece makes a wonderfully useful and unique addition to the season's repertoire. (I have also published a version on this site with text so it can be sung by a soloist or unison choir with piano accompaniment.) (Also as a piano solo.)
range - part 1 melody - 10th, 3rd space C to high E; part 2 walking bass line, octave and a half, bass clef low A to D above middle C
2 pages score, 1 page @ part, 2:05 minutes.
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