• Piano Quartet E-Flat Major, Op. 87 by Antonin Dvorak Piano Quartet - Sheet Music

Piano Quartet E-Flat Major, Op. 87 Set of Parts by Antonin Dvorak Piano Quartet - Sheet Music

By Antonin Dvorak

For several years following composition of his first piano quartet, Dvorák's publisher Simrock pushed him to compose a follow-up piece in the genre. The work, written during a few short weeks in summer 1889, fulfilled Simrock’s wishes. With his op. 87, Dvorák delivered a challenging and mature work in which a mastery of form is combined with memorable themes and surprising harmonic turns, leading it quickly to conquer the hearts of both performers and audiences. The engraver's model for the first edition is lost; but together with the first edition the autograph survives as a second source for our critical edition, with which Henle continues its series of Urtext editions of this composer.

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Details

Summary
Instrument:
Cello Piano Viola Violin
Ensembles:
Piano Quartet
Genres:
Romantic Period
Composers:
Antonin Dvorak
Publishers:
G. Henle
Series:
Henle Urtext
UPC:
196288141532
Format:
Set of Parts Collection / Songbook
Item types:
Physical
Artist:
Antonin Dvorak
Usages:
School and Community
Number of Pages:
104
Size:
9.25x12.25x0.382 inches
Shipping Weight:
1.31 pounds
Detailed Description
Piano Quartet (Parts)

SKU: HL.51481580

Set of Parts. Composed by Antonin Dvorak. Edited by Peter Jost. Henle Music Folios. Classical. Softcover. 104 pages. G. Henle #HN1580. Published by G. Henle (HL.51481580).

UPC: 196288141532. 9.25x12.25x0.382 inches.

For several years following composition of his first piano quartet, Dvorák's publisher Simrock pushed him to compose a follow-up piece in the genre. The work, written during a few short weeks in summer 1889, fulfilled Simrock’s wishes. With his op. 87, Dvorák delivered a challenging and mature work in which a mastery of form is combined with memorable themes and surprising harmonic turns, leading it quickly to conquer the hearts of both performers and audiences. The engraver's model for the first edition is lost; but together with the first edition the autograph survives as a second source for our critical edition, with which Henle continues its series of Urtext editions of this composer.

About Henle Urtext

What I can expect from Henle Urtext editions:

  • error-free, reliable musical texts based on meticulous musicological research - fingerings and bowings by famous artists and pedagogues
  • preface in 3 languages with information on the genesis and history of the work 
  • Critical Commentary in 1 – 3 languages with a description and evaluation of the sources and explaining all source discrepancies and editorial decisions 
  • most beautiful music engraving 
  • page-turns, fold-out pages, and cues where you need them 
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