• String Quartet F major op. 96 (American Quartet) op. 96 by Antonin Dvorak String Quartet - Sheet Music
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String Quartet F major op. 96 (American Quartet) op. 96 Parts by Antonin Dvorak String Quartet - Sheet Music

By Antonin Dvorak

After a twelve-year interval, Dvorák once again turned his attention to the string quartet in summer 1893. He had been musical director in New York since autumn 1892 and spent the summer in Spillville (Iowa) where a group of Czech immigrants had settled, thus making him feel at home. The beautiful natural surroundings led him to write this unconventional string quartet in the tradition of Beethoven's “Pastoral” - even down to the imitation of birdcalls. Since the first performances, certain rhythmic and melodic characteristics have been traced back to the influences of the folk music of Native Americans and African Americans, which led to the soon popular work being called the “American Quartet”. For the first time since 1955, the quartet is once again being published in an Urtext edition.

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Details

Summary
Instrument:
Cello Viola Violin
Ensembles:
String Quartet
Genres:
Romantic Period Americana
Composers:
Antonin Dvorak
Publishers:
G. Henle
Series:
Henle Urtext
UPC:
888680625641
ISBN:
9790201812328
EAN:
9790201812328
Format:
Set of Parts Collection / Songbook
Item types:
Physical
Artist:
Antonin Dvorak
Usages:
School and Community
Size:
9.5x12.25x0.212 inches
Number of Pages:
65
Shipping Weight:
0.86 pounds
Detailed Description
Chamber Ensemble String Quartet (Parts)

SKU: HL.51481232

Parts. Composed by Antonin Dvorak. Edited by Peter Jost. Sheet Music. Paperbound. Henle Music Folios. Classical. Softcover. 65 pages. G. Henle #HN1232. Published by G. Henle (HL.51481232).

ISBN 9790201812328. UPC: 888680625641. 9.5x12.25x0.212 inches.

After a twelve-year interval, Dvorák once again turned his attention to the string quartet in summer 1893. He had been musical director in New York since autumn 1892 and spent the summer in Spillville (Iowa) where a group of Czech immigrants had settled, thus making him feel at home. The beautiful natural surroundings led him to write this unconventional string quartet in the tradition of Beethoven's “Pastoral” - even down to the imitation of birdcalls. Since the first performances, certain rhythmic and melodic characteristics have been traced back to the influences of the folk music of Native Americans and African Americans, which led to the soon popular work being called the “American Quartet”. For the first time since 1955, the quartet is once again being published in an Urtext edition.

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