• Joshua Fought the Battle of Jericho SA - Sheet Music
  • Joshua Fought the Battle of Jericho SA - Sheet Music page 2

Joshua Fought the Battle of Jericho SA - Sheet Music

Sop D4-D5, Alto C4-D5.This arrangement is flexible to suit the needs of many vocal ensembles and performance contexts. Though I have found that it is quite brilliant around quarter note = 166, the piece retains its integrity through a range of tempo options. Also, the accompaniment is intended as a guideline. Accompanists may choose to modify the prescribed accompaniment, perhaps by maintaining the bass line and leaving out some of the suggested right-hand runs, or by improvising entirely new ideas to support this exciting gospel style. Enjoy! James DesJardins.This arrangement is flexible to suit the needs of many vocal ensembles and performance contexts. Though I have found that it is quite brilliant around quarter note = 166, the piece retains its integrity through a range of tempo options. Also, the accompaniment is intended as a guideline. Accompanists may choose to modify the prescribed accompaniment, perhaps by maintaining the bass line and leaving out some of the suggested right-hand runs, or by improvising entirely new ideas to support this exciting gospel style. Enjoy! aJames DesJardins.This arrangement is flexible to suit the needs of many vocal ensembles and performance contexts. Though I have found that it is quite brilliant around quarter note = 166, the piece retains its integrity through a range of tempo options. Also, the accompaniment is intended as a guideline. Accompanists may choose to modify the prescribed accompaniment, perhaps by maintaining the bass line and leaving out some of the suggested right-hand runs, or by improvising entirely new ideas to support this exciting gospel style. Enjoy! --James DesJardins.This arrangement is flexible to suit the needs of many vocal ensembles and performance contexts.Though I have found that it is quite brilliant around quarter note = 166, the piece retains itsintegrity through a range of tempo options. Also, the accompaniment is intended as a guideline.Accompanists may choose to modify the prescribed accompaniment, perhaps by maintaining thebass line and leaving out some of the suggested right-hand runs, or by improvising entirely newideas to support this exciting gospel style. Enjoy!—James DesJardins

Print edition
$2.30
Ships in 1 to 2 weeks
Special order item, ships once received from publisher.
Quantity save 5% on 2 or more
10
Get a 10% discount with SMP Plus subscription

Details

Summary
Instrument:
Choir Piano and Keyboard
Ensembles:
SA 2-Part Women's Choir
Publishers:
Carl Fischer Music
Series:
Carl Fischer Performance Series for Chorus
UPC:
798408083113
ISBN:
9780825883118
Format:
Octavo
Item types:
Physical
Usages:
School and Community
Main Key:
F major
Number of Pages:
8
Size:
6.875 x 10.5 inches
Shipping Weight:
0.63 pounds
Detailed Description
Choral SA choir, Keyboard

SKU: CF.CM9193

Composed by African American Spiritual. Arranged by James DesJardins. Octavo. Choral octavo. With Standard notation. 8 pages. Carl Fischer Music #CM9193. Published by Carl Fischer Music (CF.CM9193).

ISBN 9780825883118. UPC: 798408083113. 6.875 x 10.5 inches. Key: F major. English.

Sop D4-D5, Alto C4-D5.
This arrangement is flexible to suit the needs of many vocal ensembles and performance contexts. Though I have found that it is quite brilliant around quarter note = 166, the piece retains its integrity through a range of tempo options. Also, the accompaniment is intended as a guideline. Accompanists may choose to modify the prescribed accompaniment, perhaps by maintaining the bass line and leaving out some of the suggested right-hand runs, or by improvising entirely new ideas to support this exciting gospel style. Enjoy! James DesJardins.
This arrangement is flexible to suit the needs of many vocal ensembles and performance contexts. Though I have found that it is quite brilliant around quarter note = 166, the piece retains its integrity through a range of tempo options. Also, the accompaniment is intended as a guideline. Accompanists may choose to modify the prescribed accompaniment, perhaps by maintaining the bass line and leaving out some of the suggested right-hand runs, or by improvising entirely new ideas to support this exciting gospel style. Enjoy! aJames DesJardins.
This arrangement is flexible to suit the needs of many vocal ensembles and performance contexts. Though I have found that it is quite brilliant around quarter note = 166, the piece retains its integrity through a range of tempo options. Also, the accompaniment is intended as a guideline. Accompanists may choose to modify the prescribed accompaniment, perhaps by maintaining the bass line and leaving out some of the suggested right-hand runs, or by improvising entirely new ideas to support this exciting gospel style. Enjoy! --James DesJardins.
This arrangement is flexible to suit the needs of many vocal ensembles and performance contexts.Though I have found that it is quite brilliant around quarter note = 166, the piece retains itsintegrity through a range of tempo options. Also, the accompaniment is intended as a guideline.Accompanists may choose to modify the prescribed accompaniment, perhaps by maintaining thebass line and leaving out some of the suggested right-hand runs, or by improvising entirely newideas to support this exciting gospel style. Enjoy!—James DesJardins.

Similar Sheet Music & Digital Downloads