• Jubilate Deo by Giovanni Gabrieli Score - Sheet Music
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Jubilate Deo by Giovanni Gabrieli Score - Sheet Music

By Giovanni Gabrieli

The most famous compilation of Gabrieli's choral and instrumental works is the Sacrae Symphoniae of 1597. From this collection Jubilae Deo (Sing Out to the Lord) was written for eight vocal par ts: two soprano (most probably boys) and two contra-alto voices, two tenor and two bass voices. This transcription was taken from the complete works (Giovani Gabrieli Opera Omnia, American Instit ute of Musicology, Hanssler-Verlag, 1998). Editorial additions have been kept to a minimum: the slurs were taken from the text, while the dynamics are suggested by both the text and texture of th e music. Musical interpretations should bear in mind that the work is vocal in nature and the tempo should reflect the fact that the original was performed in a very large acoustic space.

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Details

Summary
Genres:
Renaissance
Composers:
Giovanni Gabrieli
Publishers:
Balquhidder Music
UPC:
798408068493
ISBN:
9780825868498
Format:
Score Set of Parts Score and Parts
Item types:
Physical
Artist:
Giovanni Gabrieli
Usages:
Sacred
Number of Pages:
64
Size:
9 x 12 inches
Shipping Weight:
0.56 pounds
Detailed Description
Chamber Music 8-piece brass ensemble

SKU: CF.BQ106

Composed by Giovanni Gabrieli. This edition: saddle-wire stitch. Sws. Score and parts. With Standard notation. 64 pages. Balquhidder Music #BQ106. Published by Balquhidder Music (CF.BQ106).

ISBN 9780825868498. UPC: 798408068493. 9 x 12 inches. Transcribed by David Mathie.

The most famous compilation of Gabrieli's choral and instrumental works is the Sacrae Symphoniae of 1597. From this collection Jubilae Deo (Sing Out to the Lord) was written for eight vocal par ts: two soprano (most probably boys) and two contra-alto voices, two tenor and two bass voices. This transcription was taken from the complete works (Giovani Gabrieli Opera Omnia, American Instit ute of Musicology, Hanssler-Verlag, 1998). Editorial additions have been kept to a minimum: the slurs were taken from the text, while the dynamics are suggested by both the text and texture of th e music. Musical interpretations should bear in mind that the work is vocal in nature and the tempo should reflect the fact that the original was performed in a very large acoustic space.

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