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4958255
4958255

Traditional Jazz Series: Chicago-Style Jam Session (2 CD)

http://www.sheetmusicplus.com/title/traditional-jazz-series-chicago-style-jam-session-2-cd-sheet-music/4958255

Clarinet
Instrumental Solo Part and 2 CDs. Published by Music Minus One (MO.MMOCD3239).

Item Number: MO.MMOCD3239
ISBN 1596152664.

This exciting MMO volume emphasizes collectively improvised ensembles and the succession of individual solos in the freewheeling "Chicago-Style" offshoot of New Orleans Jazz. The rhythmic texture is rooted in the swing feel of the late 1930s, and the instrumentation is typical of the New York groups of this genre. The songs are popular melodies from the 1900s to 1930s as well as multithematic compositions and blues-on this album you'll find such classics as "'Deed I Do," "Sugar," "The Darktown Strutters' Ball," "That's a Plenty" and more.

Sometimes this style is referred to as the New York-Chicago style, sometimes as post-Chicago style. It has also been called "Nicksieland," a play on "Dixieland" that recognizes a Greenwich Village nightclub called "Nick's," where this music was showcased in the 1950s. Chicago-style jazz is named for the city where it first developed. In the 1920s, many New Orleans musicians, including Joe "King" Oliver, Jimmy Noone, Johnny and "Baby" Dodds, Freddie Keppard, "Jelly Roll" Morton, Louis Armstrong, the Original Dixieland Jazz Band, and the New Orleans Rhythm Kings actively performed and recorded in Chicago. There are also many younger musicians around Chicago who were profoundly influenced by their music, including Eddie Condon, Benny Goodman, Gene Krupa, Muggsy Spanier, Bud Freeman and many others. By the 1930s many of these same musicians moved on to New York. Some continued to perform in the New Orleans tradition and others became significant figures of the Swing era. As the Big Band era closed, improvising soloists still found work in New York clubs such as Nick's, Eddie Condon's and the Metropole. The texture was distinctly in the New Orleans tradition but the language was Swing and directly reflected the synthesis that took place in Chicago.

The musicians chosen for this session are, in a way, exponents of this tradition. Their personal styles are amalgamations of the greatest stylists who preceded them. You can hear in Hal Smith aural glimpses of Dave Tough and George Wettling. You can hear in Jon-Erik shades of Muggsy Spanier and Wild Bill Davison. Brian Ogilvie's voice of choice is flavored by the sonorities of Bud Freeman and Eddie Miller, and Evan Christopher owes more than a little bit to Edmond Hall's style. The other musicians were chosen for these qualities as well, and as a result, this stylistically accurate recording demonstrates the inner workings of collective improvisation in a traditional jazz context.

You'll be blown away by the quality of these jazz combos-and this album includes both printed solo part and a concert lead sheet, to give you a rare glimpse into the workings of the great bands of the past-and present! Also includes a slow-tempo version of the accompaniments to help you get up to speed.

Includes a 32-page music book containing a solo chart for each song containing the melody line and chord changes for proper improvisational playing of each song; plus a concert lead sheet giving the overall "roadmap" for each piece, printed on high-quality ivory paper; and two compact discs containing the complete performance of these jazz combos in digitally mastered stereo; a digital stereo version of each piece minus the soloist; and a special -20% slow-tempo version of each accompaniment for practice purposes.

For related items see the following item numbers: MMOCD3844, MMOCD3921, MMOCD4218

  • Rosetta  Performed by Earl Hines & Henri Woode (m&l)
  • 'Deed I Do  Performed by Fred Rose (m); Walter Hirsch (l)
  • Blues (My Naughty Sweetie Gives to Me)  Performed by N. Swanstone / Charles R. McCarron / Carey Morgan
  • Sugar (That Sugar Baby o'Mine)  Performed by Maceo Pinkard; Edna B. Pinkard; Sidney D. Mitchell
  • The Darktown Strutters' Ball  Performed by Shelton Brooks
  • The Royal Garden Blues  Performed by Spencer Williams & Clarence Williams(m&l); (arr. Wellstood)
  • Poor Butterfly  Performed by Raymond Hubbell (m); John. L. Golden (l)
  • That's A Plenty  Performed by Ray Gilbert & Lew Pollack
  • Ratings + Reviews

  • 5

    Location:
    McLeansville, NC
    Difficulty Level:
    Beginner
  • January 10, 2012 Excellent product and service

    I bought the Chicago-Style Jam Session for my son for Christmas. It was delivered promptly and my son says that it is exactly what he wanted and he has been really learning to do his own interpretations with it on the clarinet.

    13 of 23 people found this review helpful.
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  • 5

    Location:
    PRESCOTT, AZ
    Difficulty Level:
    Intermediate/advanced
  • May 11, 2011 CHICAGO-STYLE JAM SESSION

    THIS IS A GOOD BOOK. THE TUNES ARE TRADITIONAL AND THE ARRANGEMENTS ARE VERY TYPICAL FOR THIS CATEGORY OF MUSIC.

    13 of 28 people found this review helpful.
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  • 5

    Location:
    Saint Cloud, France
    Difficulty Level:
    Intermediate/advanced
  • February 09, 2007 un vrai orchestre, un excellent clarinettiste!

    un orchestre complet qui vous donne envie de jouer; un clarinettiste qui vous donne de bons exemples; que demander de plus? connaitre mieux Ewan Christopher que j'ai eu la chance d'entendre en France au Petit Journal St Michel l'année dernière.

    28 of 64 people found this review helpful.
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