The Clippinger Class-Method Of Voice Culture
by Halfdan Kjerulf
Chamber Music - Sheet Music

Item Number: 1910970
3.4 out of 5 Customer Rating
$31.99
Order On Demand
  • Ships in 1 to 2 weeks
See more offers for this item

Taxes/VAT calculated at checkout.

Chamber Music Voice

SKU: PR.431400890

Composed by Eduard Lassen, Erik Meyer-Helmund, Felix Bartholdy Mendelssohn, George Nevin, Gustave Luther, H. Norris, Halfdan Kjerulf, Henry Bishop, Jacques Blumenthal, Johannes Brahms, Louis Spohr, Luigi Caracciolo, Theodore Marzials, Thomas Morley, William McCoy, and etc. Edited by Ebenezer Prout, Frank Damrosch, Granville Bantock, Heinrich Kiehl, and W.A.F. Arranged by Charles Stanford, Granville Bantock, Heinrich Reimann, Louis Dressler, and William Fisher. PUR. Classical. Score. With Standard notation. Composed Oct-32. 134 pages. Theodore Presser Company #431-40089. Published by Theodore Presser Company (PR.431400890).

ISBN 9780934009829. UPC: 680160093700. 9 x 12 inches. Text: David Clippinger. Karl Simrock, Felix Mendelssohn, Herbert Trench, David Clippinger, Charles Dibdin, Hezekiah Butterworth, Amy Bridgman, Ludwig Uhland, von Lermontof, Philip Sidney, Matthew Lewis, Henry Purcell, Anonymous, Heinrich Heine, Edward Oxenford, Alfred Graves, Ro.

This book contains 26 lessons and exercises, plus a variety of songs and duets for voice and piano. The book was written for class use but could be used for individual instruction as well. The vocal texts are in English.

  • All Through The Night
  • Angels, Ever Bright And Fair
  • Begone, Dull Care
  • Cradle Song
  • Cradle Song (Duet)
  • Faith In Spring
  • Friendship (Duet)
  • Funiculi, Funicula (A Merry Heart)
  • How Still The Night!
  • I Attempt from Love's Sickness to Fly
  • In Night'S Still Calm
  • In the Garden
  • Introduction
  • It Was A Lover And His Lass
  • Last Night (Duet)
  • Lesson 1: An Outline
  • Lesson 10: Tone Quality
  • Lesson 11: Resonance
  • Lesson 12: Study Of Consonants
  • Lesson 13: Phonetic Spelling
  • Lesson 14: Study Of Consonants, Continued
  • Lesson 16: Voice-Placing
  • Lesson 17: The Head Voice
  • Lesson 18: Observations On The Male Voice
  • Lesson 19: Legato And Sostenuto
  • Lesson 2: Stage Presence
  • Lesson 20: Staccato
  • Lesson 21: Embellishments
  • Lesson 22: Flexibility
  • Lesson 23: Interpretation
  • Lesson 24: Proportion And Unity
  • Lesson 25: The Use Of The Imagination
  • Lesson 26: How To Study A Song
  • Lesson 4: Breath-Control (Attack)
  • Lesson 5: Breath-Control (Deep Breathing)
  • Lesson 6: Freedom From Tension
  • Lesson 7: Vowel Formation
  • Lesson 8: Vowel Color
  • Lesson 9: Double Vowels
  • Lesson 3: Breath-Control (The Diaphragm)
  • Lessson 15: The Even Scale
  • Love Has Eyes
  • My Love's an Arbutus
  • Nearest And Dearest (Duet)
  • Noon And Night
  • O Rest in the Lord
  • Old Love Song
  • On The Banks Of Allan Water
  • Out Of My Soul's Great Sadness
  • Page, The
  • Passing By
  • Polysyllabic Study, A
  • Rose Softly Blooming
  • Shadow Song
  • Spring Song (Duet)
  • Sweetheart Of Mine
  • Swing Low, Sweet Chariot
  • There Was A Jolly Miller
  • Thou Art Near Me, Margarita
  • Venetian Boat Song
  • Wanderer'S Night Song (Duet)
  • When Love Passed By
  • When The Bluebird Sings (Duet)