Minuet in G BACH
Piano Solo, Easy Piano - Easy/Beginner
Composed by Johann Sebastian Bach (1685-1750). Baroque Period, Repertoire, Recital. 2 pages. Published by Scott Camp (S0.144601).
Item Number: S0.144601
Here is the famous Minuet in G, presented with hand positions and finger numbers.
Technical solutions (hand positions and finger numbers) are presented here, making this a "how to play" edition for this subline music.
This might be the best way for you to try out my new system of notation that includes all finger numbers and hand positions. The reason is that this piece is the absolute worst combination of "sounds easy but hard to get right". So, rather than watching as students suffer through this piece, give them the clear instructions about what they are supposed to do, and let them get the correct repetitions they need to build mastery.
If you are a teacher, give this version a try.
Students will spend time playing, rather than being frustrated.
This piece "sounds easy" but is, students would agree, anything but easy to play.
scottnotes/V are not just sheet music, they are complete self-contained LESSON PLANS for the piano teacher.
Give it a try, give yourself a break, and give your student a shot at success.
HAND POSITIONS: v means "one skipped key between thumb and 2"
TRIAD INVERSION SYMBOLS: Three part symbol revolutionizes the approach to this vexing issue (same for either hand).
For example: Fv2 for the Right Hand
-F means F Position (lowest finger on F)
-v means "one skipped key between thumb and 2"
-2 is the finger/note to play in the middle. (Top and bottom notes/fingers 1 and 5 are easy to understand, and not a problem.)
Find all the scottnotes/V arrangements on my Publisher Page on Sheet Music Plus: http://www.sheetmusicplus.com/publishers/scott-camp/5034
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The Scientist (COLDPLAY) http://www.sheetmusicplus.com/title/20317621
Skyfall (ADELE) http://www.sheetmusicplus.com/title/20317753
What I've Done (LINKIN PARK) http://www.sheetmusicplus.com/title/20317671
Climb Every Mountain (THE SOUND OF MUSIC) http://www.sheetmusicplus.com/title/20318228
Do-Re-Mi (THE SOUND OF MUSIC) http://www.sheetmusicplus.com/title/20318229
Edelweiss (THE SOUND OF MUSIC) http://www.sheetmusicplus.com/title/20318230
My Favorite Things (THE SOUND OF MUSIC) http://www.sheetmusicplus.com/title/20318233
Fiddler on the Roof (FIDDLER ON THE ROOF) http://www.sheetmusicplus.com/title/20317758
If I Were a Rich Man (FIDDLER ON THE ROOF) http://www.sheetmusicplus.com/title/20317756
Bohemian Rhapsody (QUEEN) http://www.sheetmusicplus.com/title/20317622
Blackbird (Beatles/LENNON/MCCARTNEY) http://www.sheetmusicplus.com/title/20317759
IMAGINE (LENNON) Advanced Pop/Rock http://www.sheetmusicplus.com/title/20318251
Arabesque (BURGMULLER) http://www.sheetmusicplus.com/title/20315879
Fur Elise Famous Page One (BEETHOVEN)
Fur Elise Complete (BEETHOVEN)
Sonatina in G (BEETHOVEN) http://www.sheetmusicplus.com/title/20315692
Sonatina, Op. 55, No. 1 I Allegro (KUHLAU)
Sonatina, Op. 36, No. 3 I Spiritoso (CLEMENTI)
Spinning Song (ELMENREICH)
Nocturne in Eb, Op 9, No 2 (CHOPIN) http://www.sheetmusicplus.com/title/20318219
Impromptu, Op 90, No 2 (Schubert) http://www.sheetmusicplus.com/title/20317841
Sonata Pathetique, Op 13 I Grave/Allegro (BEETHOVEN) http://www.sheetmusicplus.com/title/20317681
Happy Birthday (First Year Students) http://www.sheetmusicplus.com/title/20317750
1. student doesn't have to tediously "figure out" the piece before they play it--playing (and fun) comes first!
2. you don't have to correct wrong fundamental technique: finger numbers (including #'s and b's) and hand positions. Focus on what's really important instead (hand/wrist/arm technique, coordination, expression, balance, dynamics, tone, touch, rhythm, tempo, articulation, emotion).
3. Weak/poor "music readers" are not made to feel even worse. This approach gives them a shot at making music. "Play music first, then develop skills" is an approach that has worked for me. Students (and their parents) LOVE it.
4. improves the quality of your student/teacher interaction by reducing negativity ("corrections" or "criticism"). It's not YOU correcting the student--it's the "page" itself.
5. Not only is it more POSITIVE, it's a more EFFECTIVE interaction between teacher and student. Students play so much more music that the old way of reading/figuring out, then playing is seen for what it is: outdated, out of touch, ineffective, no fun, unrealistic, delusional, and punitive.
Modern Piano Solos (Catherine Rollin, Robert Vandall, Martha Mier, et al)
CHRISTMAS MUSIC COLLECTIONS
I'd love for more teachers to be happier in their lessons, and for more students to be happier by playing better, playing more music, and sticking with piano lessons longer to go as far as possible!
I'd love to hear from you with questions or comments:
email@example.com, also Scott Camp on facebook and youtube
About SMP Press
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