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pf281611788
19536626
19536626

Mes exercices pour piano - Livre 2

Mes exercices pour piano - Livre 2 composed by Alain Abbott (1926-). For piano. This edition: Volume 2; spiral-bound. Modern. (3 to 4/8) moderately easy to moderate. Score. 32 pages. Published by Editions Delatour France (D2.DLT1614).

ISBN 979-2321-00504-8. Modern. 21 x 29.7 cm inches.

Une chose evidente mais que je veux rappeler: certains doigtes paraitront quelquefois peu logiques et mal commodes. La raison est simple : lorsque j'ai doigte une formule, je la transpose telle quelle sur toute l'etendue du piano, la regle du jeu etant de faire travailler TOUS les doigts. Bien entendu dans une oeuvre ' musicale ' tout doit etre fait pour que le jeu soit le plus souple et le plus naturel possible et des doigtes, ici, parfaitement justifies en raison du but a atteindre, seraient dans un autre cas, aberrants. Ceci-dit, la methode n'est pas nouvelle puisque le grand LISZT lui-meme preconisait l'absolue interchangeabilite des doigts. N'oublions pas l'anecdote fameuse rapportee dans son livre sur ce compositeur et interprete hors-pair par Alan WALKER: juste avant un concert, ou il devait jouer le 5eme Concerto de BEETHOVEN, LISZT s'etait fait une coupure a l'index de la main gauche. Plutot que d'annuler le concert, il joua le concerto sans se servir de ce doigt-la, en redistribuant les notes aux doigts restants !

The title is explicit: 'My exercises' rather than 'exercises'. Indeed, I have not tried to make a piano method, there are so many of them, and authors much more qualified than me (I should mention from the same publisher quite a remarkable book that I very often consult: TREATY OF PIANO TECHNIQUE AND PEDAGOGY by Louis-Noel Belaubre). I just wanted to compose the exercises that I could not find anywhere and that were useful to me before practising a particular work. Some may seem confusing and of unusual harmonic style. Furthermore there is no master plan or progression. This working method is not the worst. I do not see the point of working two hours on the octaves or thirds in a harmonic language worthy of Theodore DUBOIS with the physiological danger it represents. Instead, varying the technical problems enabled me to progress while avoiding muscle fatigue and weariness.

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Mes exercices pour piano - Livre 2

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