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4307537
4307537

Concerto (originally for Violin)

By Aram Ilyich Khachaturian

http://www.sheetmusicplus.com/title/concerto-originally-for-violin-sheet-music/4307537?ac=1

Flute and piano
Composed by Aram Ilyich Khachaturian (1903-1978). Edited by Rampal. Originally for violin. Published by International Music Company (IM.3068).

Item Number: IM.3068

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  • Ratings + Reviews

  • 5

    Location:
    Minnesota
    Difficulty Level:
    Advanced
  • November 02, 2010 Wow

    After hearing the performance of the third movement of this piece at a music camp over the summer, it made me want to play flute, and I now take lessons. I sure hope that goes to show you how spectacular it is.

    18 of 36 people found this review helpful.
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  • 5

    Location:
    Ann Arbor, MI
    Difficulty Level:
    Advanced
  • March 20, 2009 great quality

    Piece is from a well-known, high quality publisher. Print is clear and easy to read.

    20 of 36 people found this review helpful.
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  • 5

    Location:
    Difficulty Level:
    Advanced
  • May 28, 2008 Khatchaturian "Flute" concerto

    This arrangement by Rampal is REALLY good. This concerto is the greatest ride on earth! It's too bad it's NEVER performed. VERY difficult, mind you! The Edition is also very good.

    21 of 40 people found this review helpful.
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  • 5

    Location:
    Difficulty Level:
    Advanced
  • January 23, 2008 Review on the Khachaturian Concerto (arr. Rampal)

    This concerto could be one of the most exciting works ever written for flute, though Khachaturian first composed this piece for violin originally. Jean-Pierre Rampal, perhaps one of the most influential flautists in the 21st century, had transcribed this concerto carefully together with a new candenza written for flautists...

    to show their virtuosity without spoiling the folk-song themes. The concerto should be an excellent choice for flautists who want to train up their lower register flexibility and attack. Also the 3rd movement is excellent for speed training together with lots of finger work throughout. No matter what, maintaining the general folk-song mood should be the most technically difficult to archieve, yet it should be the most enjoyable part both for the performer and the audience.

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    20 of 36 people found this review helpful.
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