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16475070
16475070

Chormusik und Analyse Teil 1

Beitrage zur Formanalyse und Interpretation mehrstimmiger Vokalmusik

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Chormusik und Analyse Teil 1 (Beitrage zur Formanalyse und Interpretation mehrstimmiger Vokalmusik). Edited by Heinrich Poos. This edition: ED 7005. Education Theory. Musicology. Der Sammelband enthalt 18 Interpretationen von mehrstimmigen Vokalwerken verschiedener Komponisten und umfasst den Zeitraum von ars antiqua bis zur Gegenwart.. Text language: German. 456 pages. Published by Schott Music (SD.49006876).

ISBN 9783795717995. With Text language: German.

Die Chormusik hat in der europaischen Musikgeschichte die wohl ungebrochenste Tradition. Trotz ihrer verschiedenen Stile und zeitbedingten Erscheinungsformen ist sie wegen ihrer unmittelbaren Bindung an die menschliche Stimme die naturlichste aller Kunste geblieben und erfreut sich heute dank der Wirkung und Bedeutung leistungsfahiger Chorensembles einer neuen Wertschatzung in unserer Gesellschaft. Damit ist auch ein neues Bedurfnis fur das Verstehen ihrer Zusammenhange unter ganz unterschiedlichen Gesichtspunkten entstanden."Chormusik und Analyse" beschaftigt sich erstmal in 18 Beitragen namhafter Musikwissenschaftler und des Herausgebers mit der Formanalyse und der Interpretation mehrstimmiger a-cappella-Vokalmusik von der ars antiqua durch alle Stilepochen bis zur Gegenwart. Dabei zeigt sich, dass die Chormusik kein "Nebenschauplatz" der Musikgeschichte ist und war, sondern durch ganze Jahrhunderte ihr eigentliches Zentrum bildete. Die geistigen Dimensionen der einzelnen Beitrage, die Vielfalt der Gesichtspunkte und stilistische Breite der behandelten Literatur machen diese Analysensammlung zu einem hochst informativen Buch, das sich Chorleitern und Studenten, Komponisten, Wissenschaftlern und allen denen empfiehlt, die in und mit der Chormusik leben.

Band I: Texte - Heinrich Poos: Einleitung - Wolfgang Domling: Eine Motette der ars antiqua. "Quant flourist-Non orphanum-Et gaudebit" - Hellmut Kuhn: Guillaume de Machaut, Motette Nr. 22 - Rolf Dammann: Die Florentiner Domweihmotette Dufays (1436) - Ludwig Finscher: Josquin Desprez, "Dominus regnavit" (Psalm 92) - Jerome Roche: Gombert's Motet "Aspice Domine" - Heinrich Poos: Gesualdos Madrigal "Moro lasso al mio duolo". Eine Studie zur Formtechnik des musikalischen Manerismus - Martin Runke: Die Motette "Exaudi, Domine, vocem meam" von Orlando di Lasso - Heinrich Poos: Das "Kyrie I" der Messe "Quem dicunt homines" von Palestrina - Carl Dahlhaus "Ecco mormorar l'onde". Versuch, ein Monteverdi-Madrigal zu interpretieren - Joseph Kerman: On William Byrd's "Emendemus in melius" - Wolfram Steinbeck: Musikalische Gestaltungsprinzipien bei Heinrich Schutz. Eine Analyse der Motette "Die Himmel der Ehre Gottes" (SWV 386) - Friedhelm Krummacher: Werkstruktur und Textexegese in Bachs Motette "Furchte dich nicht, ich bin bei dir" (BWV 228) - Hellmuth Christian Wolff: Der zweite Psalm op. 78/1 von Felix Mendelssohn - Hans Jaskulsky: Franz Schuberts Vokalquartett fur 4 Mannerstimmen "Grab und Mond" (D 893) - Hans Michael Beuerle: Johannes Brahms, "Nachtwache Nr. 1" op. 104/1 - Winfried Kirsch: Paul Hindemiths Chorsatz "Du musst dir Alles geben" - Heinrich Poos: Die Abendmahls-Motette aus dem "Passionsbericht des Matthaus" von Ernst Pepping - Clemens Kuhn: Gegenwartiges und historischer Raum. Anmerkungen zu Frank Michael Beyers "Lavatio" - . - Band II: Noten.

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Chormusik und Analyse Teil 1

Beitrage zur Formanalyse und Interpretation mehrstimmiger Vokalmusik

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Beitrage zur Formanalyse und Interpretation mehrstimmiger Vokalmusik

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