The Oxford Book of Spirituals

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Instrument:	Voice Sheet Music A Cappella Sheet Music
Ensemble:	Mixed Choir 4-Part A Cappella SATB
Genre:	Classical Gospel Spirituals
Format:	Vocal Score

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Detailed Description
Song List (29)

Listen To The Lambs Composed by R. Nathaniel Dett
Swing Low, Sweet Chariot Composed by Diton; Arranged by Shenk
My Lord, What A Mornin' Composed by Harry T. Burleigh
Jesus Is A Rock In A Weary Lan' Composed by Work
Ezekiel Saw De Wheel Composed by Cain
Ride The Chariot Composed by Smith
Here's One Composed by William Grant Still
Let Us Break Bread Together Composed by Lawrence
If I Got My Ticket, Can I Ride? Composed by Shaw
Little Innocent Lamb Composed by Bartholomew
Great Day Composed by Martin
Any How Composed by Pittman
Daniel, Daniel, Servant Of The Lord Composed by Moore
Fix Me, Jesus Composed by Johnson
Amen Composed by Hairston
A City Called Heaven Composed by De Paur
Were You There? Composed by Luboff
I Want God's Heaven To Be Mine Composed by King
Lily Of The Valley Composed by Kirk Whalum
Keep Your Lamps Composed by Thomas
Witness Composed by Halloran
My Good Lord's Done Been Here Composed by Cloud
Go Tell It On The Mountain Composed by Carter
Don't You Let Nobody Turn You 'round Composed by Lena Johnson Mclin
Glory To The Newborn King Composed by Morris
By An' By Composed by Parker

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Look What Dey Doin' To Jesus Composed by Jackson
The Battle Of Jericho Composed by Hogan
Lord, How Come Me Here Composed by Simpson-curenton

The Oxford Book of Spirituals by Moses Hogan. For SATB choir accompanied and a cappella. Mixed Voices. Spirituals Collection. Vocal score. 236 pages. Published by Oxford University Press (OU.9780193863040).

ISBN 9780193863040. Spirituals Collection.

A collection of 29 stylistically authentic spiritual arrangements for SATB choirs. The contents span the period from 1914 to 2001 and are ordered chronologically. Many of the best-known songs from the genre's most important composers and arrangers are included. The volume surveys the spiritual's entire range of themes and forms in a way that is at once stylistically authentic and historically meaningful. Piano reductions are included for unaccompanied songs.

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