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  • Composer Index
  • Composers Arranged In Chronological Order By Date Of Birth
  • About The Composers
  • Thematic Index
  • Two Part Invention No. 8 In F Major Performed by Johann Sebastian Bach
  • Fugue No. 2 (C Minor) From "the Well-tempered Clavichord" Performed by Johann Sebastian Bach
  • Prelude And Fugue No. 212 (Bb Major) From, "the Well-tempered Clavichord" Performed by Johann Sebastian Bach
  • Prelude No. 1 (C Major) From "the Well-tempered Clavichord" Performed by Johann Sebastian Bach
  • Fantasia I (D Minor), K397 Performed by Wolfgang Amadeus Mozart
  • Gigue, K574 Performed by Wolfgang Amadeus Mozart
  • Sonata In C, K545 Performed by Wolfgang Amadeus Mozart
  • Six Variations (Nel Cor Piu Non Sento) Performed by Ludwig Van Beethoven
  • Bagatelle, Op. 33, No. 3 Performed by Ludwig Van Beethoven
  • Bagatelle, Op. 33, No. 6 Performed by Ludwig Van Beethoven
  • Adagio Cantabile From "sonata Pathetique," Op. 12 Performed by Ludwig Van Beethoven
  • Spring Song, Op. 62, No. 6 Performed by Felix Bartholdy Mendelssohn
  • Scherzo, Op. 16, No. 6 Performed by Felix Bartholdy Mendelssohn
  • Moments Musicaux, Op. 94, No. 3 Performed by Franz Schubert
  • Impromptu, Op. 90, No. 2 Performed by Franz Schubert
  • Impromptu, Op. 142, No. 2 Performed by Franz Schubert
  • Aveu From "carnaval" Op. 9 Performed by Robert Schumann
  • Chopin From "carnaval" Op. 9 Performed by Robert Schumann
  • Valse Allemande, From "carnaval" Op. 9 Performed by Robert Schumann
  • Warum? (Why?), From Fantasiestucke, Op. 12 Performed by Robert Schumann
  • Aufschwung (Soaring) From Fantasiestucke, Op. 12 Performed by Robert Schumann
  • Etude In E, Op, No. 3 Performed by Frederic Chopin
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  • Etude In G Flat, Op. 10, No. 12 Performed by Frederic Chopin
  • Etude In C Minor, Op. 10, No. 12 Performed by Frederic Chopin
  • Nocturne In E Flat, Op. 9, No. 2 Performed by Frederic Chopin
  • Mazurka In B Flat, Op. 7, No. 1 Performed by Frederic Chopin
  • Valse In C Sharp Minor, Op. 64, No. 2 Performed by Frederic Chopin
  • Valse In D Flat, Op. 64, No. 1 Performed by Frederic Chopin
  • Polonaise In A, Op. 40, No. 1 Performed by Frederic Chopin
  • Consolation No. 5 Performed by Franz Liszt
  • Liebestraum No. 3 (A Dream Of Love) Performed by Franz Liszt
  • Hungarian Dance In F Performed by Johannes Brahms
  • Hungarian Dance In F Sharp Minor Performed by Johannes Brahms
  • Rhapsody In G Minor, Op. 79, No. 2 Performed by Johannes Brahms
  • Chant Sans Paroles, Op. 2, No. 3 Performed by Peter Ilyich Tchaikovsky
  • Neopolitan Dance Performed by Peter Ilyich Tchaikovsky
  • Voglein (Little Bird), Op. 43, No. 4 Performed by Edvard Grieg
  • In The Hall Of The Mountain King (Peer Gynt) Op. 46, No. 4 Performed by Edvard Grieg
  • Anitra's Dance (Peer Gynt) Op. 46, No. 4 Performed by Edvard Grieg
  • Papillion (Butterfly), Op. 43, No. 1 Performed by Edvard Grieg
  • March Of The Dwarfs, Op. 54, No. 3 Performed by Edvard Grieg
  • Notturno Performed by Edvard Grieg
  • Alla Tarantella, Op. 39, No. 2 Performed by Edward Macdowell
  • Hunting Song, Op. 39, No. 1 Performed by Edward Macdowell
  • Gardens In The Rain (Jardins Sous La Pluie) Performed by Claude Debussy
  • Reverie Performed by Claude Debussy

The Best of Classics for Intermediate Piano. For piano. Collection. Published by Santorella Publications (SP.TS275).

ISBN 1-58560-680-4.

Best of Classics for Intermediate Piano published by Santorella Publications is a collection of intermediate to advanced solos that have become known as recital standards for accomplished pianists. These works were not only chosen for their variety of style and form, but also for their suitability as recital performance pieces. This unique Santorella Publication spans over two centuries and represents the masterworks of thirteen great composers; Bach, Mozart, Beethoven, Schubert, Mendelssohn, Chopin, Liszt, Schumann, Brahms, Tchaikowsky, Grieg, MacDowell & Debussy. Each of the selected solos truly embody the musical periods in which they were written. Preludes and fugues from the Baroque era, sonatas and variations from the Classical era, short pieces from the Romantic era and several transitional pieces from the Impressionistic period fill this comprehensive collection. The pieces cover every technical challenge that would ever be encountered in all keyboard literature. Each composition is written specifically for keyboard and is presented in its original form, without simplification or alteration. Mastering these pieces is an arduous but necessary step in achieving keyboard excellence. They are the foundation of any major concert artist's repertoire.

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