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Song of Praise Op.52

Instrument:	Timpani Choir Percussion Organ Voice Piano
Ensemble:	4-Part SATB
Genre:	Classical
Format:	Vocal Score

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Detailed Description
Song List (10)

Sinfonia Performed by Felix Bartholdy Mendelssohn
Coro E Soprano Solo, "alles, Was Odem Hat, Lobe Den Herrn" / "lobe Den Herrn, Meine Seele" Performed by Felix Bartholdy Mendelssohn
Recitativo E Tenore Solo, "saget Es, Die Ihr Erlost Seid Durch Den Herrn" / Er Zahlet Unsre Tranen In Der Zeit Der Not" Performed by Felix Bartholdy Mendelssohn
Coro, "sagt Es, Die Ihr Erloset Seid" Performed by Felix Bartholdy Mendelssohn
Duetto E Coro, "ich Harrete Des Herrn" / Wohl Dem, Der Seine Hoffnung Setzt Auf Den Herrn" Performed by Felix Bartholdy Mendelssohn
Tenore Solo, "stricke Des Todes Hatten Uns Umfangen" Performed by Felix Bartholdy Mendelssohn
Coro, "die Nacht Ist Vergangen" Performed by Felix Bartholdy Mendelssohn
Chorale, "nun Danked Alle Gott Mit Herzen, Mund Und Handen" / "lob, Ehr' Und Preis Sei Gott" Performed by Felix Bartholdy Mendelssohn
Soprano E Tenore Solo, "drum Sing' Ich Mit Meinem Liede Ewig Dein Lob" Performed by Felix Bartholdy Mendelssohn
Coro, "ihr Volker, Bringet Her Dem Herrn Ehre Und Macht!" Performed by Felix Bartholdy Mendelssohn

Song of Praise Op.52 by Felix Bartholdy Mendelssohn (1809-1847). Edited by Cornelis. For SST voice soli, SATB Chorus, [2.2.2.2-4.2.3.0], Timpani, Organ, Strings. Op.52 (Text Language: German). Choral. Piano/Vocal Score. Text Language: German. Published by Edition Peters (PE.P01750).

With Text Language: German. Choral.

Lobgesang was written for the 400th anniversary of the invention of moveable type by Johannes Gutenberg, an event celebrated in Leipzig in the Summer of 1840. The work unites some of Mendelssohn's most pressing compositional concerns: to bring the Church and the concert hall one step closer together as he felt had already been accomplished in England; and, at the same time, to give expression to his didactic and educational impetus while creating a novel genre transcending conventional boundaries.

from Symphony No. 2 (Piano/Vocal Score; German).