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  • Alice In Wonderland Composed by Bob Hillard, Sammy Fain
  • April In Paris Composed by E.y Harburg, Vernon Duke
  • Autumn Leaves (Les Feuilles Mortes) Composed by Johnny Mercer, Jacques Prevert, Joseph Kosma
  • But Beautiful Composed by Johnny Burke, Jimmy Van Heusen
  • Everything Happens To Me Composed by Tom Adair, Matt Dennis
  • How High The Moon From 'two For The Show', Composed by Nancy Hamilton, Morgan Lewis
  • I Didn't Know What Time It Was From 'too Many Girls', Composed by Rodgers And Hart
  • I'll Remember April Composed by Don Raye, Gene De Paul
  • I'm All Smiles From 'the Yearling', Composed by Herbert Martin, Michael Leonard
  • Lush Life Composed by Billy Strayhorn
  • The Nearness Of You From 'romance In The Dark', Composed by Ned Washington, Hoagy Carmichael
  • People From 'funny Girl', Composed by Bob Merrill, Jule Styne
  • Stella By Starlight From 'the Uninvited', Composed by Ned Washington, Victor Young
  • Sweet And Lovely Composed by Gus Arnheim, Charles Daniels
  • There Will Never Be Another You From 'iceland', Composed by Mack Gordon, Harry Warren
  • The Touch Of Your Lips Composed by Ray Noble
  • What's New? Composed by Johnny Burke, Bob Haggart
  • You Are Too Beautiful From 'hallelujah, I'm A Bum', Composed by Rodgers And Hart
  • Girl Talk From 'harlow', Composed by Bobby Troup, Neal Hefti

Jazz Standards for Piano arranged by Tom Coppola and Thomas Coppola. For solo piano. Piano Solo Songbook. Standards and Jazz. SMP Level 5 (Intermediate). Songbook. Standard notation and chord names (does not include words to the songs). 40 pages. Published by Hal Leonard (HL.310342).

ISBN 0793586712. With standard notation and chord names (does not include words to the songs). Standards and Jazz. 9x12 inches.

Jazz Standards for Piano Solo is arranged by Tom Coppola, who has toured with the likes of Peggy Lee and Marvin Gaye, recorded with Herbie Mann and Paul Simon, and wrote, arranged and produced music for Saturday Night Live from 1984-1990.

About SMP Level 5 (Intermediate)

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Seventh chords and melodies in both hands. More difficult note reading with ledger lines above and below the staff.

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Based on 7 Reviews

2 star rating

Petrof Plakeoff

Location: from Mt-St-Hilaire, Québec

Difficulty Level:
Intermediate/advanced

April 11, 2012

deceived

for me it is not pianisticaly written,the themes not treated to my liking, harmonicaly strange sometimes.

3 of 6 people found this review helpful.

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5 star rating

W.T. Crawford

Location: from Longmont, Colorado

Difficulty Level:
Intermediate/advanced

February 19, 2009

A Great Book

I thought this book was terrific; so much so that I sent an E-Mail to the arranger telling him so. I did point out that I made a few modifications in some of the arrangements so as to tone down some of the dissonances. He came back with a very...

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17 of 27 people found this review helpful.

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5 star rating

Anonymous

Location: from

Difficulty Level:
Intermediate

July 14, 2008

Authentically Professional, Cool Jazz

This book is the best thing that ever happened for my piano teaching. Tom Coppola's arrangements are authentically professional yet remarkably easy to play. At first my students cannot "hear" the subtle chord variations, because they are used to more straightforward sounds. Then I record their playing, and, upon playback,...

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14 of 25 people found this review helpful.

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3 star rating

Peter Howell

Location: from Surrey,England

Difficulty Level:
Early intermediate

October 7, 2007

disappointing stuff

the arrangements are far too simple and although there are a few good chord changes the result is uninteresting.Also the beginnings endings etc. are just plainly absent.

12 of 27 people found this review helpful.

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2 star rating

Jim from Savannah

Location: from

Difficulty Level:
Intermediate

September 2, 2007

I've Seen Much Better Arrangements

Written as is I did not find this book refreshing. Yeah, you can spice it up a little bit by improvising on the provided chords, but I like to play beautiful arrangements by professional pianists. Most of the arrangements are too simplistic for my tastes, or the chord progressions leave...

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13 of 23 people found this review helpful.

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