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45 ARIAS from Operas and Oratorios for Voice and Piano (High Voice)

Volume II

By George Frideric Handel

Customer Rating:   4 Reviews Write a Review


45 ARIAS from Operas and Oratorios for Voice and Piano (High Voice) (Volume II). Composed by George Frideric Handel (1685-1759). Edited by Sergius Kagen. For high voice solo and piano accompaniment (high voice). Baroque. Difficulty: difficult. Collection. Vocal melody, piano accompaniment, lyrics, translations and introductory text. 64 pages. Published by International Music Company (IM.1695).

With vocal melody, piano accompaniment, lyrics, translations and introductory text. Baroque. 7.5x10.5 inches.

  • Care selve  (Atalanta)
  • Mirth admit me   (L'Allegro)
  • Non lo diro  (Tolomeo)
  • Recit: O didst thou 
  • Aria: As when the dove   (Acis & Galatea)
  • Recit: Frondi tenere 
  • Aria: Ombra mai fu   (Serse)
  • Aria: Angels ever bright   (Theodora)
  • O had I Jubal's Lyre  (Joshua)
  • O Sleep  (Semele)
  • Rendi il serno   (Sosarme)
  • Sommi Dei  (Radamisto)
  • Sweet Bird  (Il Pensieroso)
  • Sound An Alarm!  (Judas M.)
  • There the brisk sparkling Necktor   (Choice of Hercules)
  • Verdi Prati   (Alcina)
  • So shall the Lute and Harp  (Judas Maccabeus)
  • Recit: O worse than Death  (Serse)
Look 45 ARIAS from Operas and Oratorios for Voice and Piano (High Voice)

45 ARIAS from Operas and Oratorios for Voice and Piano (High Voice)

Volume II

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45 ARIAS from Operas and Oratorios for Voice and Piano (High Voice)

Volume II

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  • Ratings + Reviews

    Write a Review

    Based on 4 Reviews

  • 4

    Difficulty Level:
    Early intermediate
  • May 14, 2011 Handel 45 Arias, Vol. 2 (International)

    If one allows that some of the arias in this anthology are only proper for soprano or tenor, not both, there remain some good things to say about it. First, the selection consists of basic arias with which no performer should be unfamiliar. The editing, too, is modest enough, with...

    editorial dynamics clearly set off in parentheses. In addition, the piano reductions of the orchestral accompaniments are not difficult and provide useful study material for student accompanists. While it is true that some of the continuo realizations will seem conservative by present-day standards, they work well enough on the piano, are of an appropriate level of complexity for student accompanists, and could be easily dressed up by the pianist if necessary.

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    22 of 48 people found this review helpful.
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  • 3

    Prunedale, CA
    Difficulty Level:
  • January 16, 2009 a hodge podge

    As with the other albums in this series they stupidly mix soprano and tenor arias in the same album. The ommission of the recitative preceding "Sound an Alarm" is a grevious editing error. I'm sending it back.

    38 of 62 people found this review helpful.
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  • 2

    Prunedale, Ca
    Difficulty Level:
  • December 11, 2008 what a mish mash

    The same problems as volume 1. Oratorio & opera arias mixed up in one volume also soprano & tenor arias. There should be four volumes an opera and an oratorio album for tenor and the same for soprano. I think that some of the keys have been changed from the original. The...

    omission of the recitative preceding "Sound an Alarm" is a grevious editorial error.

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    27 of 65 people found this review helpful.
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  • 5

    Palermo - Italy
  • August 22, 2008 Viva Handel

    Excellent but I think that the page is small. I prefer the book with large pages.

    30 of 59 people found this review helpful.
    Was this review useful? Yes No