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- Mozart, Wolfgang Amadeus (1575)
- Bach, Johann Sebastian (1117)
- Handel, George Frideric (527)
- Haydn, Franz Joseph (350)
- Telemann, Georg Philipp (267)
- Schutz, Heinrich (266)
- Schubert, Franz (257)
- Marx, Karl (175)
- Beethoven, Ludwig van (165)
- Distler, Hugo (147)
- Mendelssohn, Felix Bartholdy (139)
- Buxtehude, Dietrich (106)
- Pepping, Ernst (96)
- Bialas, Gunter (94)
- Reda, Siegfried (93)
- Kelterborn, Rudolf (68)
- Berlioz, Hector (66)
- Dvorak, Antonin (61)
- Krenek, Ernst (58)
- Burkhard, Willy (54)
- Chor-Archiv (160)
- Musica Sacra Nova (53)
- Werkreihe fur Blaser und Sanger (36)
- Spielraume (28)
- Baerenreiter Werkeinfuhrungen (25)
- Internationales Quellenlexikon der Musik (RISM) (21)
- Baerenreiter Blasmusik (20)
- Neue Hausmusik (17)
- Baerenreiter-Chorreihe (12)
- Concerto vocale (11)
- Frutti Musicali (9)
- 2012 Midwest Clinic Performance Pieces (7)
- Mein Instrument (7)
- Opera Omnia (5)
- Mozart-Jahrbuch (5)
- Contemporary Music for Saxophone (5)
- Baerenreiter's Sassmannshaus (4)
- Sinfonische Orgel (3)
- Organova (3)
- Der Chorsinger (3)
Founded in Germany in 1923, Baerenreiter is one of the largest publishers of classical music, encompassing not only concert repertoire but also educational music, contemporary music, and scholarly works about music. From the beginning, Baerenreiter has worked to preserve the heritage of much of the world's greatest music.
A shining example of Baerenreiter's contributions to music is its Beethoven symphony editions. Though it may surprise musicians, many modern orchestras play Beethoven's symphonies from sheet music containing mistakes handed down from Beethoven's time. Baerenreiter's goal has always been to provide sheet music that reflects the closest possible understanding of the composer's intentions, i.e. to produce an "Urtext", or definitive score. To do so, the editor has to delve into archives to extract the Urtext from a myriad of sources. In the case of the Ninth Symphony, this was a tedious and nerve-wracking process. Some twenty sources have survived: manuscripts, handwritten copies, master copies for the engraving, first editions, and separate instrumental parts. Jonathan Del Mar, the editor of Baerenreiter's Beethoven Edition, scrutinized each of them firsthand. The result of his painstaking work is a score that allows conductors to retrace every single note in the piece. Though this does not mean a completely new symphony, many passages will capture the listeners' attention.
In addition to its contributions to the Great Masters, Baerenreiter maintains a unfaltering commitment to contemporary music. Hugo Distler, Ernst Krenek and Gunter Bialas had their music published by Baerenreiter, and highly gifted composers such as Manfred Trojahn and Matthias Pintscher have also been signed.
About Baerenreiter Urtext
To make the scholarly accomplishments of the New Complete Editions accessible to all musicians, Baerenreiter publishes a comprehensive range of Practical Urtext Editions. The musical text of the Practical Urtext Editions is identical to the corresponding New Complete Editions.
The word Urtext means original text. For Baerenreiter, Urtext means that all relevant sources autographs, original performance parts, and even the composer's sketches that shed light on the development of a particular work have been meticulously studied and considered.
The range of Baerenreiter Practical Urtext Editions includes full scores, study scores, vocal scores, orchestral performance material, choir music, lieder and chamber music. The works are superbly presented and provide the musician the opportunity to understand and play the music as it was intended to be.