French Operatic Arias for Tenor and Piano 19th Century Repertoire with Translations and Guidance on Pronunciation Tenor Voice - Sheet Music

Complete with translations and guidance on pronunciation. 'As every singer and lover of French opera knows, editions of even the best-known French operatic arias are difficult - and sometimes expensive - to obtain. Roger Nichols' scrupulously balanced selection of 19th-century French arias provides the perfect starting point for wider exploration. Nichols, who has championed French music in his writings, talks and radio broadcasts over three decades with eloquence and scholarship, is the ideal guide to this repertoire which, even today, is often neglected, misunderstood or inadequately performed. Auber: Agnes la jouvencelle (Fra Diavolo); Berlioz: Ah! je vais l-aimer (Beatrice et Benedict); Berlioz: La gloire etait ma seule idole (Benvenuto Cellini); Berlioz: Inutiles regrets (Les Troyens); Bizet: La fleur que tu m-avais jetee (Carmen); Bizet: e l a voix d-un amant fidele (La jolie fille de Perth); Bizet: Je crois entendre encore (Les pacheurs de perles); Boieldieu: Viens, gentile dame (La dame blanche); Delibes: Fantaisie, aux divins mensonges (Lakme); Donizetti: Ange si pur (La favorite); Gounod Salut! demeure chaste et pure (Faust); Gounod: Anges du paradis (Mireille); Gounod: Ah! leve-toi, soleil (Romeo et Juliette); Halevy: Rachel! quand du Seigneur (La Juive); Lalo: Vainement, ma bien aimee; (Le roi d-Ys); Massenet: Ah! fuyez, douce image!! (M anon); Massenet: En fermant les yeux (Manon); Massenet; e nature, pleine de grace (Werther); Massenet: Pourquoi me reveiller? (Werther); Meyerbeer: e paradis sorti de l-onde (L-Africaine); Reyer: Esprits, gardiens (Sigurd); Rossini: Asile hereditaire (Guil lame Tell); Thomas: Elle ne croyait pas (Mignon); Verdi: Je l-ai vue (Don Carlos). Opera. Tenor Voice. Voice & Piano Albums. Opera Aria Albums by Voice.