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Fair Katrinelje and Pif-Paf-Poltrie (PARTS)

By Sarah Wallin Huff

Look Fair Katrinelje and Pif-Paf-Poltrie (PARTS)
Detailed Description

Fair Katrinelje and Pif-Paf-Poltrie (PARTS) composed by Sarah Wallin Huff. For Piano, Voice, Cello, Flute. 21st Century. Advanced. Set of Parts. Published by Sarah J. Wallin Huff (S0.1142).

"PLEASE NOTE: This set of parts includes a separate part each for the flute and for the cello; the voice and piano are meant to read from copies of the score itself. This work by Sarah Wallin is a vocal text setting for soprano, flute, cello, and piano, completed in 2008. According to Dr. Edward David Zeliff, Fair Katrinelje... is """"very interesting, clever, witty, and captures the quirky little scenario of this poor fellow trying so hard to line up a bride by having to go through the firewall of her entire family and then having enough umph left over to get her attention as well. It's very Stravinskyish, and the charm and humor comes through."" The story of Fair Katrinelje and Pif-Paf-Poltrie is a lesser-known fairy tale found in the Children's and Household Tales of Jacob and Wilhelm Grimm, the famous ""Brothers Grimm."" Fair Katrinelje and Pif-Paf-Poltrie is a comedic dialogue. Our hero, Pif-Paf-Poltrie, is out to seek the hand of his beloved, the Fair Katrinelje, in marriage. Being the gentleman that he is, he approaches in turn each member of his beloved's family to ask their permission. Father Hollenthe, Mother Malcho, Brother High-and-Mighty, and Sister Käsetraut all respond in turn similarly – essentially, ""If it's all right with everyone else, it's all right with me."" The challenge for the vocalist is to convey the essence and the hilarity of the dialogue by highlighting, with the mannerisms of the voice, the attitudes and characteristics of each character speaking. Above each character's lines, it is made clear whom it is that is speaking and the emotional context within which it is being spoken. The vocalist has complete freedom to effect these roles in whatever manner and to whatever degree is deemed appropriate, provided the musical integrity of the work is kept intact.".

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