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Geistliche Chormusik 1648 SWV 369-397

(29 Motetten). Composed by Heinrich Schutz (1585-1672). Edited by Wilhelm Kamlah. For cello/bass voice/basso continuo. This edition: Paperback, Urtext edition. Paperback. Sacred. Single part. SWV 369-397. Published by Baerenreiter Verlag (BA.BA500-86)

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Historia der Auferstehung Jesu Christi (Resurrection Oratorio)

Composed by Heinrich Schutz (1585-1672). Arranged by Stein, Friedrich Wilhelm (1879-1961), Editor. For organ (in score), 3 violin, 2 viola, violoncello, cb (set as scored), solo SATB, mixed choir. Sacred/Hymns German Seasonal: Baroque. Full score. Duration 40 minutes. Published by Edwin F. Kalmus (KM.A5511-FSC)

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Account of the Resurrection of Jesus Christ

Composed by Heinrich Schutz (1585-1672). Edited by Gunter Graulich. Arranged by Paul Horn. For SSSATTBarB Favorit-Chor (Antiphonal/Chamber Choir), SATB/SATB Choir 4 Bass Viola da Gamba, Organ. This edition: Paperbound. Dorisch (Dorian). Stuttgart Urtext Edition. German title: Auferstehungs-Historie (G/E). Oratorios, Easter and Eastertide. Full score. Language: German/English. Composed 1623. SWV 50 (Op. 3). 72 pages. Duration 38 minutes. Published by Carus Verlag (CA.2005000)

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O bone Jesu, fili Mariae

(Geistliches Konzert). Composed by Heinrich Schutz (1585-1672). Edited by Gunter Graulich. Arranged by Paul Horn. For SSAATB Favorit-Chor (Antiphonal/Chamber Choir), 2 Violins, 5 Viola da Gamba, Organ, [Solo T, Contrabass]. This edition: Paperbound. Dorisch (Dorian). Stuttgart Urtext Edition. German title: O bone Jesu, fili Mariae. Christmas, Prayer, Praise and thanks. Full score. Language: Latin/German. Composed circa 1666 (um). SWV 471. 16 pages. Published by Carus Verlag (CA.2047100)

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Es steh Gott auf SWV 356

Composed by Heinrich Schutz (1585-1672). Edited by Werner Bittinger. For voice/orchestra (2 Solo Sopranos (2 Solo Tenors)/2 Violins/Basso continuo). This edition: Stapled, Urtext edition. Stapled. Sacred concerto no. 16 from "Symphoniae sacrae II". Score. SWV 356. Published by Baerenreiter Verlag (BA.BA5903)

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Fili mi, Absalon

(aus: Symphoniae Sacrae I). Composed by Heinrich Schutz (1585-1672). Edited by Siegfried Schmalzriedt. For Bass Voice Solo, 4 Trombones, [2 Violins, 2 Trombones], Basso continuo. Dorisch (Dorian). Stuttgart Urtext Edition. German title: Fili mi, Absalon 7. Mourning, death. Set of instrumental parts (except strings). Language: Latin. Composed 1629. SWV 269 (Op. 6, No. 13). 24 pages. Duration 7 minutes. Published by Carus Verlag (CA.2026909)

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Die sieben Worte Jesu Christi am Kreuz - Cello/Dbl Bass Part

(The Seven Last Words of Jesus Christ). Composed by Heinrich Schutz (1585-1672) and Heinrich Schuetz (1585-1672). Arranged by Daniel Pinkham. For cello/double bass, string quartet & organ continuo. Cello/double bass part. 16 pages. Published by E.C. Schirmer Publishing (EC.2756E)

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Fili mi, Absalon

(aus: Symphoniae Sacrae I). Composed by Heinrich Schutz (1585-1672). Edited by Siegfried Schmalzriedt. For Bass Voice Solo, 4 Trombones, [2 Violins, 2 Trombones], Basso continuo. Dorisch (Dorian). Stuttgart Urtext Edition. German title: Fili mi, Absalon. Mourning, death. Full score (without cover). Language: Latin. Composed 1629. SWV 269 (Op. 6, No. 13). 12 pages. Duration 7 minutes. Published by Carus Verlag (CA.2026900)

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Das ist je gewisslich wahr

(aus: Geistliche Chormusik). Composed by Heinrich Schutz (1585-1672). Edited by Gunter Graulich. For SSATTB Choir, 6 Instruments, [Contrabass, Organ]. A-Moll (A minor). Stuttgart Urtext Edition. German title: Das ist je gewisslich wahr. Sacred, Motets; Stuttgart Urtext editions; Occasions: Confirmation; Use during church year: Advent, End of the church year, Reformation day. Instrumental part 4. Language: German/English. Composed 1648. SWV 388 (Op. 11, No. 20). 4 pages. Duration 6 minutes. Published by Carus Verlag (CA.2038814)

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Paratum cor meum

(aus: Symphoniae Sacrae I). Composed by Heinrich Schutz (1585-1672). Edited by Siegfried Schmalzriedt. For Soprano Voice Solo [T], 2 Violins , Basso continuo. A-Moll (A minor). Stuttgart Urtext Edition. German title: Paratum cor meum. Praise and thanks. Level 3. Full score (without cover). Language: German/Latin. Composed 1629. SWV 257 (Op. 6, No. 1). 8 pages. Duration 4 minutes. Published by Carus Verlag (CA.2025700)

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Die sieben Worte Jesu Christi am Kreuz - Violin II Part

(The Seven Last Words of Jesus Christ). Composed by Heinrich Schutz (1585-1672) and Heinrich Schuetz (1585-1672). Arranged by Daniel Pinkham. For violin II. Violin II part. 12 pages. Published by E.C. Schirmer Publishing (EC.2756B)

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Die sieben Worte Jesu Christi am Kreuz - Violin I Part

(The Seven Last Words of Jesus Christ). Composed by Heinrich Schutz (1585-1672) and Heinrich Schuetz (1585-1672). Arranged by Daniel Pinkham. For violin I. Violin I part. 12 pages. Published by E.C. Schirmer Publishing (EC.2756A)

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Jauchzet dem Herren, alle Welt SWV deest

(Psalm 100). By Heinrich Schutz (1585-1672). Edited by Werner Breig. For cello/contrabass/basso continuo. This edition: Stapled, Urtext edition. Stapled. Single part. SWV deest. Published by Baerenreiter Verlag (BA.BA5914-86)

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Es steh Gott auf SWV 356

By Heinrich Schutz (1585-1672). Edited by Werner Bittinger. For violin 2. This edition: Stapled, Urtext edition. Stapled. Single part. SWV 356. Published by Baerenreiter Verlag (BA.BA5903-75)

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Es steh Gott auf SWV 356

By Heinrich Schutz (1585-1672). Edited by Werner Bittinger. For first violin. This edition: Stapled, Urtext edition. Stapled. Single part. SWV 356. Published by Baerenreiter Verlag (BA.BA5903-74)

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Fili mi, Absalon

(aus: Symphoniae Sacrae I). By Heinrich Schutz (1585-1672). Edited by Siegfried Schmalzriedt. For Bass Voice Solo, 4 Trombones, [2 Violins, 2 Trombones], Basso continuo. Dorisch (Dorian). Stuttgart Urtext Edition. German title: Fili mi, Absalon. Mourning, death. Part: violin 2. Language: Latin. Composed 1629. SWV 269 (Op. 6, No. 13). 4 pages. Duration 7 minutes. Published by Carus Verlag (CA.2026912)

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Fili mi, Absalon

(aus: Symphoniae Sacrae I). By Heinrich Schutz (1585-1672). Edited by Siegfried Schmalzriedt. For Bass Voice Solo, 4 Trombones, [2 Violins, 2 Trombones], Basso continuo. Dorisch (Dorian). Stuttgart Urtext Edition. German title: Fili mi, Absalon. Mourning, death. Part: basso continuo. Language: Latin. Composed 1629. SWV 269 (Op. 6, No. 13). 4 pages. Duration 7 minutes. Published by Carus Verlag (CA.2026913)

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Fili mi, Absalon

(aus: Symphoniae Sacrae I). Composed by Heinrich Schutz (1585-1672). Edited by Siegfried Schmalzriedt. For Bass Voice Solo, 4 Trombones, [2 Violins, 2 Trombones], Basso continuo. Dorisch (Dorian). Stuttgart Urtext Edition. German title: Fili mi, Absalon. Mourning, death. Part: violin 1. Language: Latin. Composed 1629. SWV 269 (Op. 6, No. 13). 4 pages. Duration 7 minutes. Published by Carus Verlag (CA.2026911)

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Die sieben Worte Jesu Christi am Kreuz - Viola I Part

(The Seven Last Words of Jesus Christ). Composed by Heinrich Schutz (1585-1672) and Heinrich Schuetz (1585-1672). Arranged by Daniel Pinkham. For viola I. Viola I part. 4 pages. Published by E.C. Schirmer Publishing (EC.2756C)

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Die sieben Worte Jesu Christi am Kreuz - Viola II Part

(The Seven Last Words of Jesus Christ). Composed by Heinrich Schutz (1585-1672) and Heinrich Schuetz (1585-1672). Arranged by Daniel Pinkham. For viola II. Viola II part. 4 pages. Published by E.C. Schirmer Publishing (EC.2756D)

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The seven last words from the cross

(Passion music). Composed by Heinrich Schutz (1585-1672). Edited by Gunter Graulich. Arranged by Paul Horn. For SATTB Favorit-Chor (Antiphonal/Chamber Choir), 5 Obligato Instruments, Contrabass, Organ, [Capell-Chor: SATTB]. This edition: Paperbound. Phrygisch (Phrygian). Stuttgart Urtext Edition. German title: Die Sieben Worte (dt/engl). Passions, Lent and Passiontide, Holy Week, Stations of the cross (Seven Words), Mourning, death. Full score. Language: German/English. Composed circa 1645. SWV 478. 32 pages. Duration 12 minutes. Published by Carus Verlag (CA.2047800)

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Magnificat SWV 468

(Favoritchor/Orgel(Bc)). Composed by Heinrich Schutz (1585-1672). Edited by Wilhelm Ehmann. For SATB choir, organ, basso continuo (Mixed Choir: SATB 1/2 Mixed Choirs: SATB ad lib./2 Violins/Violone/3 Trombones/Basso continuo). This edition: Stapled, Urtext edition. Stapled. Choral score. SWV 468. Published by Baerenreiter Verlag (BA.BA4334-93)

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Saul, wilt thou injure me?

(aus: Symphoniae Sacrae III). Composed by Heinrich Schutz (1585-1672). Edited by Gunter Graulich. Arranged by Paul Horn. For SMsATBB Favorit-Chor (Antiphonal/Chamber Choir), 2 Violin, Contrabass, Organ, [Cappell-Choir: SATB/SATB, 8 Instruments]. This edition: Paperbound. Dorisch (Dorian). Stuttgart Urtext Edition. German title: Saul, was verfolgst du mich. Easter and Eastertide. Full score. Language: German/English. Composed 1650. SWV 415 (Op. 12, No. 18). 16 pages. Duration 3 minutes. Published by Carus Verlag (CA.2041500)

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Magnify him!

(Magnificat). Composed by Heinrich Schutz (1585-1672). Edited by Gunter Graulich. Arranged by Paul Horn. For SATB/SATB Choir, [8 Instruments, Contrabass, Organ]. This edition: Paperbound. A-Moll (A minor). Stuttgart Urtext Edition. German title: Magnificat "Meine Seele erhebt". Magnificats, Advent, Christmas, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary, Daily hours. Full score. Language: German/English. Composed 1671. SWV 494. 24 pages. Duration 8 minutes. Published by Carus Verlag (CA.2049400)

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Venite ad me

(aus: Symphoniae Sacrae I). By Heinrich Schutz (1585-1672). Edited by Siegfried Schmalzriedt. For Tenor Voice Solo, 2 Violins, Basso continuo. Dorisch (Dorian). Stuttgart Urtext Edition. German title: Venite ad me 3. Set of parts. Language: Latin/German. Composed 1629. SWV 261 (Op. 6, No. 5). 8 pages. Duration 8 minutes. Published by Carus Verlag (CA.2026109)

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