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Historia der Geburt Jesu Christi SWV 435

Soprano voice solo, 3 alto voice solos, 3 tenor voice solos, 3 bass voice solos, mixed choir, chamber orchestra - Level 3
Christmas Oratorio. Composed by Heinrich Schutz (1585-1672). Edited by Friedrich Schoneich. This edition: Urtext edition. Paperback. Barenreiter Study scores. Study score. SWV 435. Published by Baerenreiter Verlag (BA.TP132).

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Geistliche Chormusik 1648 SWV 369-397

(29 Motetten). Composed by Heinrich Schutz (1585-1672). Edited by Wilhelm Kamlah. For cello/bass voice/basso continuo. This edition: Urtext edition. Paperback. Sacred. Part(s), Anthology. SWV 369-397. Published by Baerenreiter Verlag (BA.BA500-86)

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Fili mi, Absalon

(aus: Symphoniae Sacrae I). Composed by Heinrich Schutz (1585-1672). Edited by Siegfried Schmalzriedt. For bass voice solo, 4 trombones, [2 violins, 2 trombones], basso continuo. Dorisch (Dorian). Stuttgart Urtext Edition. German title: Fili mi, Absalon. Mourning, Death. Basso continuo part. Language: Latin. Composed 1629. SWV 269 (Op. 6, No. 13). 4 pages. Duration 7 minutes. Published by Carus Verlag (CA.2026913)

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Matthaus-Passion SWV 479

Composed by Heinrich Schutz (1585-1672). Edited by Fritz Schmidt. For solo tenor voice/solo bass voice/mixed choir. This edition: Urtext edition. Stapled. Level 3. Score. SWV 479. Published by Baerenreiter Verlag (BA.BA300)

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Johannes-Passion SWV 481

Composed by Heinrich Schutz (1585-1672). Edited by Wilhelm Kamlah. For solo tenor voice/solo bass voice/mixed choir. This edition: Urtext edition. Stapled. Level 3. Score. SWV 481. Published by Baerenreiter Verlag (BA.BA960)

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Fili mi, Absalon

(aus: Symphoniae Sacrae I). Composed by Heinrich Schutz (1585-1672). Edited by Siegfried Schmalzriedt. For bass voice solo, 4 trombones, [2 violins, 2 trombones], basso continuo. Dorisch (Dorian). Stuttgart Urtext Edition. German title: Fili mi, Absalon. Mourning, Death. Violin 1 part. Language: Latin. Composed 1629. SWV 269 (Op. 6, No. 13). 4 pages. Duration 7 minutes. Published by Carus Verlag (CA.2026911)

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Fili mi, Absalon

Bass voice solo, 4 trombones, [2 violins, 2 trombones], basso continuo
Aus: Symphoniae Sacrae I. Composed by Heinrich Schutz (1585-1672). Edited by Siegfried Schmalzriedt. Dorisch (Dorian). Stuttgart Urtext Edition. German title: Fili mi, Absalon 7. Mourning, Death. Set of instrumental parts (except strings). Language: Latin. Composed 1629. SWV 269 (Op. 6, No. 13). 24 pages. Duration 7 minutes. Published by Carus Verlag (CA.2026909).

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Fili mi, Absalon

Bass voice solo, 4 trombones, [2 violins, 2 trombones], basso continuo
Aus: Symphoniae Sacrae I. Composed by Heinrich Schutz (1585-1672). Edited by Siegfried Schmalzriedt. Dorisch (Dorian). Stuttgart Urtext Edition. German title: Fili mi, Absalon. Mourning, Death. Full score (without cover). Language: Latin. Composed 1629. SWV 269 (Op. 6, No. 13). 12 pages. Duration 7 minutes. Published by Carus Verlag (CA.2026900).

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Small Sacred Concertos, Volume 3

Soprano voice solo/alto voice solo/tenor voice solo/bass voice solo/basso continuo - Level 3
Three Concertos for Soprano, Alto, Tenor and Bass. Composed by Heinrich Schutz (1585-1672). Edited by Hans Hoffmann; Wilhelm Ehmann. This edition: Urtext edition. Stapled. Vocal score, Part(s), Anthology. Text Language: German/English. SWV 302, 303, 304. 24/6 pages. Published by Baerenreiter Verlag (BA.BA1703).

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Fili mi, Absalon

(aus: Symphoniae Sacrae I). Composed by Heinrich Schutz (1585-1672). Edited by Siegfried Schmalzriedt. For bass voice solo, 4 trombones, [2 violins, 2 trombones], basso continuo. Dorisch (Dorian). Stuttgart Urtext Edition. German title: Fili mi, Absalon. Mourning, Death. Violin 2 part. Language: Latin. Composed 1629. SWV 269 (Op. 6, No. 13). 4 pages. Duration 7 minutes. Published by Carus Verlag (CA.2026912)

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O be joyful in the Lord

Bass voice solo, 2 recorders, basso continuo, [2 violins]
Aus: Symphoniae Sacrae I. Composed by Heinrich Schutz (1585-1672). Edited by Siegfried Schmalzriedt. F-Dur (F major). Stuttgart Urtext Edition. German title: Jubilate Deo omnis terra. Easter and Eastertide, Praise and thanks. Basso continuo part. Language: Latin/German. Composed 1629. SWV 262 (Op. 6, No. 6). 4 pages. Duration 7 minutes. Published by Carus Verlag (CA.2026211).

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Attendite, popule meus - So hore doch, meine Gemeinde SWV 270

(Geistliches Konzert Nr. 14 aus "Synphoniae sacrae I"). Composed by Heinrich Schutz (1585-1672). Edited by Gerhard Kirchner. For bass voice solo, 4 trombones, basso continuo. Stapled. Score, Set of parts. Language: Latin/German. SWV 270. Published by Baerenreiter Verlag (BA.BA37)

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Die sieben Worte Jesu Christi am Kreuz (The Seven Last Words of Christ) for Voices, five part Choir and Instruments SWV 478

(Music on liturgical text for Good Friday). Composed by Heinrich Schutz (1585-1672). Edited by Bruno Grusnick. For tenor voice solo 1, tenor voice solo 2 (viola 1, viola 2), bass voice solo (cello). This edition: Urtext edition. Stapled. Single part. SWV 478. Published by Baerenreiter Verlag (BA.BA1577-79)

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Small Sacred Concertos, Volume 7

(Der Partitur liegt die Stimme fur ein Continuo-Instrument bei). Composed by Heinrich Schutz (1585-1672). Edited by Hans Hoffmann; Wilhelm Ehmann. For bass voice solo/basso continuo. This edition: Urtext edition. Stapled. Kirchenmusik, Fruhbarock (Sacred Music, Early Baroque). Vocal score, Part(s), Anthology. Published by Baerenreiter Verlag (BA.BA1705)

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Attendite, popule meus

(aus: Symphoniae Sacrae I). Composed by Heinrich Schutz (1585-1672). Edited by Siegfried Schmalzriedt. For bass voice solo, 4 trombones [2 trombones, 2 violins], basso continuo. F-Dur (F major). Stuttgart Urtext Edition. German title: Attendite. Latin Psalms. Trombone 2 part. Language: Latin. Composed 1629. SWV 270 (Op. 6, No. 14). 4 pages. Published by Carus Verlag (CA.2027032)

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Attendite, popule meus

(aus: Symphoniae Sacrae I). Composed by Heinrich Schutz (1585-1672). Edited by Siegfried Schmalzriedt. For bass voice solo, 4 trombones [2 trombones, 2 violins], basso continuo. F-Dur (F major). Stuttgart Urtext Edition. German title: Attendite, popule meus. Latin Psalms. Full score (without cover). Language: Latin. Composed 1629. SWV 270 (Op. 6, No. 14). 16 pages. Published by Carus Verlag (CA.2027000)

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Veni Sancte Spiritus

7 favorit singers and 9 obligato instruments in 4 choirs with basso continuo: 2 soprano voices, bassoon; bass voice, 2 cornets (violin); 2 tenor voices, 3 trombones; mezzo-soprano voice (flute or cornet), alto voice, tenor voice, double bass/basso continu
Geistliches Konzert. Composed by Heinrich Schutz (1585-1672). Edited by Gunter Graulich. Arranged by Paul Horn. Mixolydisch (Mixolydian). Stuttgart Urtext Edition. German title: Veni Sancte Spiritus. Hymns, Whitsun. Violin part. Language: Latin/German. Composed 1614. SWV 475. 2 pages. Published by Carus Verlag (CA.2047511).

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Veni Sancte Spiritus

7 favorit singers and 9 obligato instruments in 4 choirs with basso continuo: 2 soprano voices, bassoon; bass voice, 2 cornets (violin); 2 tenor voices, 3 trombones; mezzo-soprano voice (flute or cornet), alto voice, tenor voice, double bass/basso continu
Geistliches Konzert. Composed by Heinrich Schutz (1585-1672). Edited by Gunter Graulich. Arranged by Paul Horn. Mixolydisch (Mixolydian). Stuttgart Urtext Edition. German title: Veni Sancte Spiritus. Hymns, Whitsun. Trombone 1 part. Language: Latin/German. Composed 1614. SWV 475. 4 pages. Published by Carus Verlag (CA.2047533).

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Hutet euch, dass eure Herzen

Composed by Heinrich Schutz (1585-1672). Edited by Konrad Kuster. For solo bass voice, 2 violins, basso continuo. Stuttgart Urtext edition. Sacred Concertos. Full score. Text language: German. Composed 1643. SWV 351. 8 pages. Published by Carus Verlag (CA.2035100)

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Danket dem Herren / Wie ist so lieblich

(Ch (Ps. 136/135)). Composed by Heinrich Schutz (1585-1672). Edited by Josef Schabasser. For soprano voice, alto voice, tenor voice, bass voice. Choral music. Sacred. Published by Doblinger Music Publishers (DB.S-0197-198)

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Attendite, populae meas...

Composed by Heinrich Schutz (1585-1672). Edited by Alan Lumsden. For bass voice, 4 trombones, basso continuo. This edition: paperback. 30 pages. Published by Musica Rara (BR.MR-1063)

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Fariseen och publikanen

(Pharisaer und Zollner). Composed by Heinrich Schutz (1585-1672). For SATB choir, tenor voice solo, bass voice solo, organ. Language: Swedish, German. 16 pages. Published by Gehrmans Musikforlag (GH.N03330)

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O be joyful in the Lord

(aus: Symphoniae Sacrae I). Composed by Heinrich Schutz (1585-1672). Edited by Siegfried Schmalzriedt. For bass voice solo, 2 recorders, basso continuo, [2 violins]. F-Dur (F major). Stuttgart Urtext Edition. German title: Jubilate Deo omnis terra. Easter and Eastertide, Praise and thanks. Recorder 2 part. Language: Latin/German. Composed 1629. SWV 262 (Op. 6, No. 6). 2 pages. Duration 7 minutes. Published by Carus Verlag (CA.2026222)

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Veni Sancte Spiritus

7 favorit singers and 9 obligato instruments in 4 choirs with basso continuo: 2 soprano voices, bassoon; bass voice, 2 cornets (violin); 2 tenor voices, 3 trombones; mezzo-soprano voice (flute or cornet), alto voice, tenor voice, double bass/basso continu
Geistliches Konzert. Composed by Heinrich Schutz (1585-1672). Edited by Gunter Graulich. Arranged by Paul Horn. Mixolydisch (Mixolydian). Stuttgart Urtext Edition. German title: Veni Sancte Spiritus. Hymns, Whitsun. Basso continuo part. Language: Latin/German. Composed 1614. SWV 475. 4 pages. Published by Carus Verlag (CA.2047513).

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O be joyful in the Lord

(aus: Symphoniae Sacrae I). Composed by Heinrich Schutz (1585-1672). Edited by Siegfried Schmalzriedt. For bass voice solo, 2 recorders, basso continuo, [2 violins]. F-Dur (F major). Stuttgart Urtext Edition. German title: Jubilate Deo omnis terra. Easter and Eastertide, Praise and thanks. Full score (without cover). Language: Latin/German. Composed 1629. SWV 262 (Op. 6, No. 6). 8 pages. Duration 7 minutes. Published by Carus Verlag (CA.2026200)

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Bass Voice