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L'Incoronazione Di Poppea

Composed by Claudio Monteverdi (1567-1643). Edited by Alan Curtis. For Voice (Vocal Score). Music Sales America. Opera, Renaissance. 318 pages. Novello & Co Ltd. #NOV200184. Published by Novello & Co Ltd. (HL.14019114)

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O Herr, mein Gott, jetzt vor der Nacht (Glory to thee, my God, this night)

Composed by Thomas Tallis (1505-1585). Arranged by Kenneth Brown. For 2, 3, 4, or 5 equal voices with chamber orchestra or organ & strings (flute, oboe, bassoon, horn, 2 trumpets, 2 trombones, timpani, piano, strings; OR organ, strings). Mixed Voices. Christmas, Choral Leaflet. Vocal score. 4 pages. Duration 3'. Published by Oxford University Press (OU.9780193359369)

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(Minimum order: 6)

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Vespro della Beata Vergine

(Vocal Score). Composed by Claudio Monteverdi (1567-1643). Arranged by Jerome Roche. For Choral, Chorus, Orchestra, Piano. Schott. Piano reduction. 176 pages. Schott Music #ED12602. Published by Schott Music (HL.49003276)

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Preces and Responses

Composed by Thomas Tallis (1505-1585). For SATB choir, a cappella. Mixed Voices. Church Music Society publications. Sacred, Choral Service. Vocal score. Published by Oxford University Press (OU.9780193953260)

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(Minimum order: 6)

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This is the record of John

Composed by Orlando Gibbons (1583-1625). Arranged by Peter Le huray. For SAATB choir & organ/strings. Mixed Voices. Tudor Church Music. Sacred, Choral Leaflet. Vocal score. 16 pages. Duration 5'. Published by Oxford University Press (OU.9780193520844)

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(Minimum order: 6)

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Spem in Alium

Composed by Thomas Tallis (1505-1585). Arranged by Philip Brett. For 40-part SATB choir, a cappella. Mixed Voices. Sacred. Vocal score. 24 pages. Duration 7'. Published by Oxford University Press (OU.9780193534124)

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Hodie Christus natus est

Composed by Jan Pieterszoon Sweelinck (1562-1621). Arranged by John Rutter. For SSATB choir, a cappella/with ensemble (Instrument 1 in C or Bb, Instrument 2 in C or Bb, Instrument 3 shown in alto and tenor clef, and for Horn in F, Instrument 4 shown in tenor and bass clef), Instrument 5 in bass clef, continuo bass (for cello and optional double bass), organ continuo). Mixed Voices. Oxford Choral Classics Octavos. Christmas, Choral Leaflet. Vocal score. 12 pages. Duration 3'. Published by Oxford University Press (OU.9780193418073)

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(Minimum order: 6)

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Masses and Motets

Composed by Giovanni Pierluigi da Palestrina (1525-1594). Choir Sacred. For mixed vocal ensemble. Choral (Sacred); Choral Worship Cantata (Full Score); Larger Works; Masterworks; Worship Resources. Dover Edition. Renaissance and Sacred. Difficulty: medium-difficult. Vocal score. Vocal score and lyrics. 224 pages. Published by Dover Publications (AP.6-276317)

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Poppea

(Vocal Score). Composed by Claudio Monteverdi (1567-1643). For Voice. Masterworks; Score; Vocal (Opera) Score. Faber Edition. Masterwork; Renaissance. Published by Faber Music (AP.12-0571500110)

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If ye love me

Composed by Thomas Tallis (1505-1585). Arranged by Peter Le huray. For SATB choir, a cappella. Mixed Voices. Tudor Church Music. Sacred, Choral Leaflet. Vocal score. 4 pages. Duration 2'. Published by Oxford University Press (OU.9780193521384)

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(Minimum order: 6)

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Ave Maria

(S.A.T.B. Chorus, A Cappella). Composed by Tomas Luis de Victoria (0-1611). Edited by Robert Hufstader. SATB chorus. For SATB, Keyboard Rehearsal. Early Choral Masters. Choral. Piano reduction/vocal score. Standard notation. 8 pages. Published by Theodore Presser Company (PR.352000790)

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(Minimum order: 6)

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Tantum ergo Sacramentum

Composed by Giovanni Pierluigi da Palestrina (1525-1594). For SATBarB choir a cappella. Liturgical Use: Holy Thursday. Text: Latin. Choral. Vocal score. Text Language: Latin. Duration ca. 4 minutes. Published by Notre Dame Choir Editions (PE.NDC033)

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(Minimum order: 6)

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Five Centuries Of Choral Music For Mixed Voices

Composed by Various. For Choral (SATB). Choral Collection. Renaissance, Baroque, Classical Period, 20th Century and Vocal Standards. Difficulty: medium. Vocal score (6 copies needed for performance). Vocal score and piano accompaniment. 156 pages. G. Schirmer #ED2529. Published by G. Schirmer (HL.50330320)

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6 Duets (2 high voices,Pf)

Composed by Claudio Monteverdi (1567-1643). Edited by Landshoff. Vocal Duets/Trios. For 2 High voices, Piano. Vocal. Vocal score. Text Language: Italian only. Published by Edition Peters (PE.P03824A)

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Missa In Illo Tempore

Composed by Claudio Monteverdi (1567-1643). For 6 Voices (SSATTB) and Continuo. Choral, Early Music. Choir score. 76 pages. Published by Ut Orpheus (UT.MOS-01C)

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Vespers

(Vocal Score). Composed by Claudio Monteverdi (1567-1643). Edited by Denis Stevens. For Choral, Orchestra, Score (SATB). Music Sales America. Sacred, Renaissance, Choral. 222 pages. Novello & Co Ltd. #NOV070211. Published by Novello & Co Ltd. (HL.14034906)

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The King's Singers' Madrigals - Vol. 1

By The King's Singers. Arranged by Clifford Bartlett. For Choral (4 Part). King's Singer's Choral. Pop Vocal, Renaissance and Classical Period. Difficulty: medium. Vocal score (a cappela - four copies needed for performance). Vocal score. 80 pages. Faber Music #F100511. Published by Faber Music (HL.50440700)

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Hodie Christus natus est

Composed by Giovanni Pierluigi da Palestrina (1525-1594). Edited by Jameson Marvin. For SSAA choir and piano accompaniment (for rehearsal only). Upper Voices. Music of the Renaissance for Women's Choir. Renaissance. Difficulty: medium-difficult. Vocal score. Vocal score notation, piano accompaniment, introductory text and performance notes. 12 pages. Published by Oxford University Press (OU.9780193862838)

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(Minimum order: 6)

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In ieiunio et fletu

Composed by Thomas Tallis (1505-1585). Arranged by Peter Le huray. For SAATB choir and optional organ. Mixed Voices. Tudor Church Music. Sacred, Choral Leaflet. Vocal score. 8 pages. Duration 3'. Published by Oxford University Press (OU.9780193521629)

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(Minimum order: 6)

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Come Again! Sweet Love Doth Now Invite

(For Three-Part Mixed Voices A Cappella). Composed by John Dowland (1563-1626). Arranged by Russell L. Robinson. Mixed chorus. For Three-Part Mixed Voices, Keyboard Rehearsal. Carl Fischer Performance Series for Chorus. Piano reduction/vocal score. Standard notation. 7 pages. Published by Carl Fischer (CF.CM8652)

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(Minimum order: 6)

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My Bonny Lass She Smileth

(S.S.A.T.B., A Cappella). Composed by Thomas Morley (1557-1602). Edited by Daniel Dorff. Arranged by Daniel Dorff. SATB chorus. For SSATB Chorus, Piano Rehearsal. Piano reduction/vocal score. Standard notation. 7 pages. Duration 1 minute, 30 seconds. Published by Theodore Presser Company (PR.312414920)

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(Minimum order: 6)

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Sicut Cervus

(Motet for Four Mixed Voices, A Cappella). Composed by Giovanni Pierluigi da Palestrina (1525-1594). Edited by Robert Hufstader. For Soprano, Alto, Tenor, Bass, Keyboard. Sacred, Choral. Piano reduction/vocal score. Standard notation. 8 pages. Published by Theodore Presser Company (PR.352000750)

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(Minimum order: 6)

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What If I Never Speed?

(For Three-Part Mixed Voices A Cappella). Composed by John Dowland (1563-1626). Arranged by Russell L. Robinson. Mixed chorus. For SAB, Keyboard Rehearsal. Carl Fischer Performance Series for Chorus. Choral. Piano reduction/vocal score. Standard notation. 8 pages. Published by Carl Fischer (CF.CM8720)

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(Minimum order: 6)

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52 Motets - Vol. 2

Composed by Tomas Luis de Victoria (0-1611). For Choral (Vocal Score). Music Sales America. Religious. 108 pages. Music Sales #UMV99072. Published by Music Sales (HL.14034945)

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Vocal Score